John Galsworthy Quotes

This girl is the daughter of the man who once owned Jon’s mother as a negro-slave was owned. You can’t lay that ghost; don’t try to, June! It’s asking us to see Jon joined to the flesh and blood of the man who possessed Jon’s mother against her will.

Sin confianza en la verdad no había influencia. Daba igual que se tratara de los políticos o de la prensa: si no se podía creer en ellos, no contaban.

Every phase and question of life is brought more and more into the limelight. Theatres, cinemas, the radio, and even lectures, assist the process. But they do not, and should not replace reading, because when we are just watching and listening, somebody is taking very good care that we should not stop and think. The danger in this age is not of our remaining ignorant; it is that we should lose the power of thinking for ourselves. Problems are more and more put before us, but, except to crossword puzzles and detective mysteries, do we attempt to find the answers for ourselves? Less and less. The short cut seems ever more and more desirable. But the short cut to knowledge is nearly always the longest way round. There is nothing like knowledge, picked up by or reasoned out for oneself.

or an orderly trying a great galumphing cavalry horse; no thoroughbreds, no grooms, no bowing, no scraping, no gossip — nothing; only the trees the same — the trees indifferent to the generations and declensions of mankind.

An epoch which had gilded individual liberty so that if a man had money he was free in law and fact, and if he had not money he was free in law and not in fact. An era which had canonized hypocrisy, so that to seem to be respectable was to be.

Religion was nearly dead because there was no longer real belief in future life; but something was struggling to take its place — service — social service — the ants' creed, the bees' creed.

Art, literature, religion, survive by virtue of the few cranks who really believe in such things, and the many Forsytes who make a commercial use of them.

Smoke! Did all human passion burn away and drift in a blue film over the fields, obscure for a moment the sight of the sun and the shapes of the crops and the trees, then fade into air and leave the clear hard day; and no difference anywhere? Not quite! For smoke was burnt tissue, and where fire had raged there was alteration.

When Man evolved Pity, he did a queer thing — deprived himself of the power of living life as it is without wishing it to become something different.

Love is not a hot-house flower, but a wild plant, born of a wet night, born of an hour of sunshine; sprung from wild seed, blown along the road by a wild wind. A wild plant that, when it blooms by chance within the hedge of our gardens, we call a flower; and when it blooms outside we call a weed; but, flower or weed, whose scent and colour are always, wild!

Wishes father thought, but they don't breed evidence.

I paused, watching the swallows; for they seemed to me the symbol, in their swift, sure curvetting, all daring and balance and surprise, of the delicate poise and motion of Art, that visits no two men alike, in a world where no two things of all the things there be, are quite the same.

Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?" I would not like to believe that our faith in the value of imaginative art has diminished, that we think it less worth while to struggle for glimpses of truth and for the words which may pass them on to other eyes; or that we can no longer discern the star we tried to follow; but I do fear, with him, that half a lifetime of endeavour has dulled the exuberance which kept one up till morning discussing the ways and means of aesthetic achievement. We have discovered, perhaps with a certain finality, that by no talk can a writer add a cubit to his stature, or change the temperament which moulds and colours the vision of life he sets before the few who will pause to look at it. And so — the rest is silence, and what of work we may still do will be done in that dogged muteness which is the lot of advancing years. Other times, other men and modes, but not other truth. Truth, though essentially relative, like Einstein's theory, will never lose its ever-new and unique quality — perfect proportion; for Truth, to the human consciousness at least, is but that vitally just relation of part to whole which is the very condition of life itself. And the task before the imaginative writer, whether at the end of the last century or all these aeons later, is the presentation of a vision which to eye and ear and mind has the implicit proportions of Truth.

I sat, just watching the moon creep up, and hearing the thin, dry rustle of the leaves along the holly hedge. And there came to me this thought: What is this Universe — that never had beginning and will never have an end — but a myriad striving to perfect pictures never the same, so blending and fading one into another, that all form one great perfected picture? And what are we — ripples on the tides of a birthless, deathless, equipoised Creative-Purpose — but little works of Art?

Really you must. Nobody wishes you harm, I’m sure. FALDER. I believe that, Mr. Cokeson. Nobody wishes you harm, but they down you all the same. This feeling — [He stares round him, as though at something closing in] It’s crushing me. [With sudden impersonality] I know it is.