NATURAL MUSIC The old voice of the ocean, the bird-chatter of little rivers, (Winter has given them gold for silver To stain their water and bladed green for brown to line their banks) From different throats intone one language. So I believe if we were strong enough to listen without Divisions of desire and terror To the storm of the sick nations, the rage of the hunger-smitten cities, Those voices also would be found Clean as a child’s; or like some girl’s breathing who dances alone By the ocean-shore, dreaming of lovers.3

The idea of the supernatural as being something over and above the natural is a killing idea. In the Middle Ages this was the idea that finally turned that world into something like a wasteland, a land where people were living inauthentic lives, never doing a think they truly wanted to because the supernatural laws required them to live as directed by their clergy. In a wasteland, people are fulfilling purposes that are not properly theirs but have been put upon them as inescapable laws. This is a killer.... The spirit is really the bouquet of life. It is not something breathed into life, it comes out of life. This is one of the glorious things about the mother-goddess religions, where the world is the body of the Goddess, divine in itself, and divinity isn't something ruling over and above a fallen nature.... Our story of the fall in the Garden sees nature as corrupt; and that myth corrupts the whole world for us. Because nature is thought of as corrupt, every spontaneous act is sinful and must not be yielded to. You get a totally different civilization and a totally different way of living according to whether your myth presents nature as fallen or whether nature is in itself a manifestation of divinity, and the spirit is the revelation of the divinity that is inherent in nature.

Now, one of the main problems of mythology is reconciling the mind to this brutal precondition of all life, which lives by the killing and eating of lives. You don’t kid yourself by eating only vegetables, either, for they, too, are alive. So the essence of life is this eating of itself! Life lives on lives, and the reconciliation of the human mind and sensibilities to that fundamental fact

There were formerly horizons within which people lived and thought and mythologized. There are now no more horizons. And with the dissolution of horizons we have experienced and are experiencing collisions, terrific collisions, not only of peoples but also of their mythologies. It is as when dividing panels are withdrawn from between chambers of very hot and very cold airs: there is a rush of these forces together. And so we are right now in an extremely perilous age of thunder, lightning, and hurricanes all around. I think it is improper to become hysterical about it, projecting hatred and blame. It is an inevitable, altogether natural thing that when energies that have never met before come into collision — each bearing its own pride — there should be turbulence. That is just what we are experiencing; and we are riding it: riding it to a new age, a new birth, a totally new condition of mankind — to which no one anywhere alive today can say that he has the key, the answer, the prophecy, to its dawn. Nor is there anyone to condemn here (”Judge not, that you may not be judged!”). What is occurring is completely natural, as are its pains, confusions, and mistakes.

Everywhere, no matter what the sphere of interest (whether religious, political, or personal), the really creative acts are represented as those deriving from some sort of dying to the world; and what happens in the interval of the hero's nonentity, so that he comes back as one reborn, made great and filled with creative power, mankind is also unanimous in declaring. We shall have only to follow, therefore, a multitude of heroic figures through the classic stages of the universal adventure in order to see again what has always been revealed. ...the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.

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CAMPBELL: Well, the mother’s right there. You’re born from your mother, and she’s the one who nurses you and instructs you and brings you up to the age when you must find your father. Now, the finding of the father has to do with finding your own character and destiny. There’s a notion that the character is inherited from the father, and the body and very often the mind from the mother. But it’s your character that is the mystery, and your character is your destiny. So it is the

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I’ve been happily married forty-eight years, and I ought to know something about it. The important thing in marriage is the relationship between two people, and when one becomes married — I mean really has become married — one has shifted the center of regard from oneself to the relationship of the two. And when you think of yourself as sacrificing or giving up things, it is not for the other person that you are doing it, it is for the relationship. And you are as much in the relationship as the other one is, do you see what I mean? This is what you are dealing with, the two together. And you have to think of yourself not as this one, but as these two as one. And I say if your marriage isn’t the highest priority in your whole life, you’re not married, that’s all. And the thing I frequently say is that marriage is not a long love affair.

Freud tells us to blame our parents for all the shortcomings of our life,
and Marx tells us to blame the upper class of our society.
But the only one to blame is oneself.
That's the helpful thing about the Indian idea of karma.
Your fate is the fruit of your own doing.
You have no one to blame but yourself.