Julia Cameron Quotes

We should write because it is human nature to write. Writing claims our world. It makes it directly and specifically our own. We should write because humans are spiritual beings and writing is a powerful form of prayer and meditation, connecting us both to our own insights and to a higher and deeper level of inner guidance.

We should write because writing brings clarity and passion to the act of living. Writing is sensual, experiential, grounding. We should write because writing is good for the soul. We should write because writing yields us a body of work, a felt path through the world we live in.

We should write, above all, because we are writers, whether we call ourselves that or not.

Writing for the sake of writing, writing that draws its credibility from its very existence, is a foreign idea to most Americans. As a culture, we want cash on the barrel head. We want writing to earn dollars and sense so that it makes sense to us. We have a conviction — which is naive and misplaced — that being published has to do with being “good” while not being published has to do with being “amateur.” ...

“Did you write today?”
“Yes.”
“Then you’re a writer today.”
It would be lovely if being a writer were a permanent state that we could attain to. It’s not, or if it is, the permanence comes posthumously.
A page at a time, a day at a time, is the way we must live our writing lives. Credibility lies in the act of writing. That is where the dignity is. That is where the final “credit” must come from.

"If we eliminate the word "writer", if we just go back to writing as an act of listening and naming what we hear, some of the rules dissappear. There is an organic shape, a form-coming-into-form that is inherent in the thing we are observing, listening to, and trying to put on the page. It has rules of its own that it will reveal to us if we listen with attention. Shape does not need to be imposed. Shape is a part of what we are listening to. When we just let ourselves write, we get it "right"."

THE VIRTUE TRAP An artist must have downtime, time to do nothing. Defending our right to such time takes courage, conviction, and resiliency. Such time, space, and quiet will strike our family and friends as a withdrawal from them. It is. For an artist, withdrawal is necessary. Without it, the artist in us feels vexed, angry, out of sorts. If such deprivation continues, our artist becomes sullen, depressed, hostile. We eventually became like cornered animals, snarling at our family and friends to leave us alone and stop making unreasonable demands.

Anger is meant to be acted on. It is not meant to be acted out. Anger points the direction. We are meant to use anger as fuel to take the actions we need to move where our anger points us. With a little thought, we can usually translate the message that our anger is sending us.

Leap and the net will appear.

There is a treadmill quality to workaholism.

"Perfectionism doesn't believe in practice shots. It doesn't believe in improvement. Perfectionism has never heard that anything worth doing is worth doing badly — and that if we allow ourselves to do something badly we might in time become quite good at it. Perfectionism measures our beginner's work against the finished work of masters. Perfectionism thrives on comparison and competition. It doesn't know how to say, "Good try," or "Job well done." The critic does not believe in creative glee — or any glee at all, for that matter. No, perfectionism is a serious matter."

To the perfectionist, there is always room for improvement. The perfectionist calls this humility. In reality, it is egotism. It is pride that makes us want to write a perfect script, paint a perfect painting, perform a perfect audition monologue.

Love is not love if it compelled by reason and driven by logic — love exists in spite of those things, not because of them. It is a emotion which needs no fuel to fire it or oxygen to feed it; if you have to look for the why, then stop looking; it was never there at all.

Boredom is just “What’s the use?” in disguise. And “What’s the use?” is fear, and fear means you are secretly in despair. So put your fears on the page. Put anything on the page. Put three pages of it on the page.

When we walk, the two halves of our brains converse.

Artistic anorexia & sexual avoidance have the same root fears – fear of intimacy, fear of exposure, fear of failure”.

Judging your early artistic efforts is artist abuse.

In times of pain, when the future is too terrifying to contemplate and the past too painful to remember, I have learned to pay attention to right now. The precise moment I was in was always the only safe place for me.