Nepali poet (1909-1959)
Laxmi Prasad Devkota (Nepali: लक्ष्मीप्रसाद देवकोटा, 12 November 1909 – 14 September 1959) was a Nepali poet, playwright, and novelist. Honoured with the title of Maha Kavi (literal translation: 'Great Poet') in Nepali literature,and is known as the poet with the golden heart. Devkota is by and large regarded as the greatest poet in the history of Nepal and Nepali language. Some of his popular works include Muna Madan, "Sulochana",Kunjini, and Sakuntala.
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In the fields of life there isn't any geometry. Here if whole is taken out from the whole then whole itself remains. Inside one is substance, inside atom is the world. Science cannot find everything and our psychological studies end within the darkness of intellect. This is why no teacher can teach.
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In the divine talent of the Creator the word got born and we, by studying this creation attain clear messages of Divine Conscience, Divine Truth, Divine Beauty and Divine knowledge. In the creative imagination of the God, completeness works and provides beautiful lines colors forms to the Truth of God. We realize the 'beautiful' through the sensing of Truth and where there is no Truth there isn't beauty. Keats has said that, 'Truth is beauty and beauty is Truth". This Self-Displaying form of God becomes such known in Artistic creativity that truth becoming beautiful descends to the outer forms of the senses.
Even Truth is of many types, like – Imaginative Truth, Practical Truth and Philosophical Truth. That which is in three times, that is called Truth and God itself is the first and the last truth. But in practical life, truth takes many forms and as the practical truth I understand the sensible world's hard comprehensible truth. The one attained by the research of intellect, I call philosophical truth and imaginative that which illustrates through the subtle pictures of the mind. To say the stone is hard is practical truth, saying that adding up one and one the result will be two and through the existence of creation there is truth I call philosophical truth; and saying things like seeing Sarasvati talked with her, I understand as being the imaginative truth. For me, practicality is limited; philosophy, intellect is blind; I enjoy imaginative truth the most and through it find the glimpses of God
The energy to manufacture Art doesn't come merely from the superficial darshan (philosophy) of objects; nor from mere intellect and knowledge; but it comes from those subtle conscience, which finds emotional caressing from divine experience climbing above bestial eyes. The beast merely looks and remains satisfied, but man tries to touch the heart of everything. The superficial understandings do not satisfy him, in the world containing form-relation and conscience he cannot remain satisfied though philosophy. He tries to connect the things seen and experienced in his mind and outer nature with eternal and true and tries to touch them with the help of relation and support of chief reason.
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