Yeah, it was crazy that it's called "The Day Seattle Died" because I didn't mean it to be that. I meant it to be as far as those two losses in Seattle [Kurt Cobain and Layne Staley's deaths] - to me that's the day Seattle died. I wasn't putting that together and thinking about the exact dates.
I had met Layne Staley before when he was really sick. We were on tour with Jerry Cantrell, and Jerry knew I was a giant fan of Alice in Chains. It was Halloween night, we were in Seattle, and all of a sudden, a little dude comes up and he's got an old fishing hat on and he's kind of dressed up like an old dude - he is dressed for Halloween. I guess he didn't want people to see him because he's Layne Staley walking into a club in Seattle, and that would draw a lot of attention, so he got a little costume.
He came backstage with me, and it impacted me so deeply to see him in that condition, because he was one of my biggest idols of all time. We opened a bottle of Jack Daniel's and drank it, and I just talked to him about everything for a long time. But the condition that he was in at the time affected me deeply - to see him look years older than what I thought he was. I knew when he left that night, that was the end - that he was going to go. I'm so thankful I got to spend that time with him.
So that affected me, and I was like, "That's my hero, I'm going to write a song for him." And then the Kurt thing came in too. He was just as influential, but Layne I just felt more of a connection to - he was way darker, and I've always gravitated towards that stuff. Layne Staley's mom actually reached out to us to thank us for the song, and it was really beautiful. So, it had some impact. People really feel that song.

I wrote about drugs, and I didn't think I was being unsafe or careless by writing about them. Here's how my thinking pattern went: When I tried drugs, they were fucking great, and they worked for me for years, and now they're turning against me - and now I'm walking through hell, and this sucks. I didn't want my fans to think heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.

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The whole thing with the heart... there wasn't a real intention or a reason, it's just a collection of ideas that we put together. To me, we had our hearts broken by losing Layne and losing ourselves. And also it took a lot of that to get through this process and to even take the chance, and to stand-up and risk. It celebrates his life. He didn't get treated too well by the press when he was alive, and when he passed away, he pretty much got swept under the carpet, and the news basically been a punchline or a headline. It's kind of cool, he's kinda like Obi-Wan and death, he became bigger than life and people are starting to take a look at his contribution. It was an unfortunate fact that he had an addiction that ended up killing him, but there was so much more to the man and stuff doesn't go away.

Man in the Box" hit in the middle of the "Clash of the Titans" tour — you talk about a tough fucking tour, opening up for Slayer, Megadeth, and Anthrax. They had a revolving headlining set, but still, Slayer's fans would out-chant any of the other fans in the arena. "Slayer, Slayer, Slayer!" I remember playing Red Rocks, and the place is built 'up' — you could hit the stage with pretty much anything you throw from a certain distance. That was one of those landmark moments for the band. We got fucking massacred, dude. They started throwing stuff from the moment we came onstage. It was un-f*cking-believable. We were playing just looking up — watching shit come down, trying to avoid it, without running off the stage. After a while of getting pelted with all this shit — I don't know how someone did this, but they snuck a gallon jug of some liquid, and they hocked this thing. It came down and crashed on Sean [Kinney]'s set.
Layne got fucking pissed. He started grabbing shit and throwing it back at the audience. He jumped the barricades and started spitting back — throwing shit and flipping people off, just like they had been doing to us. So, we all did the same thing — we all followed Layne's lead. We got right in their face, started kicking the shit they were throwing at us right back in their faces. And we finished our set. We're like, "Fuck man, we better get out of here — we're going to get killed." After that show, there were a bunch of Slayer fans out by the bus. We're like, "Oh shit, here we go." We walk up to the bus — they were blocking us from getting to the bus — and they're like, "You guys are alright. You guys didn't puss out."

I’m gonna be here for a long fuckin’ time. I’m scared of death, especially death by my own hand. I’m scared of where I would go. Not that I ever consider that, because I don’t. I was lucky enough to get a glimpse of where I was going to go if I did follow through with it. That makes me sad for my friends who have taken their lives, because I know that if your time is not finished here, and you end it yourself, then you gotta finish it somewhere else. There was a time when things seemed desperate, and I thought taking my life might be a way out. I made a couple of really weak attempts, mostly to see if I could do it, and I couldn’t.

[on Dirt] It's simple. One theme is: Drugs are bad. The other theme is relationships, bad. The last theme is: album, good. Maybe something this blatant and heavy and straight to the point might steer people away from being excited about the idea of trying heroin. There was nothing that blatant shoved in my face, discouraging me.

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The facts are that I was shooting a lot of dope, and that's nobody's business but mine. I'm not shooting dope now, and I haven't for a while.... I took a fucking long, hard walk through hell. I decided to stop because I was miserable doing it. The drug didn't work for me anymore. In the beginning I got high, and it felt great; by the end it was strictly maintenance, like food I needed to survive. Since I quit doing it, I tried it a couple of times to see if I could recapture the feeling I once got off it, but I don't. Nothing attracts me to it anymore. It was boring.

It's good to be with friends and family as we struggle to deal with this immense loss... and try to celebrate this immense life. We are looking for all the usual things: comfort, purpose, answers, something to hold on to, a way to let him go in peace. Mostly, we are feeling heartbroken over the death of our beautiful friend. He was a sweet man with a keen sense of humor and a deep sense of humanity. He was an amazing musician, an inspiration, and a comfort to so many. He made great music and gifted it to the world. We are proud to have known him, to be his friend, and to create music with him. For the past decade, Layne struggled greatly — we can only hope that he has at last found some peace. We love you, Layne. Dearly. And we will miss you... endlessly.

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It was insulting the way people talked about him. People think he chose that fate, those drugs, but it’s not a chosen thing. Layne was the sweetest guy, the nicest guy, and the most talented guy you would ever want to meet. He was funny. He was one of the most least-judgmental people I ever met.

I met Jerry [Cantrell] at a party, just out of the blue. I didn't think he was the coolest guy in the world or anything. He had no family in the area, so he's kind of struggling, didn't have any money or a place to stay or anything. And me being completely drunk, just offered this total stranger a place to stay and clothes, and food and musical instruments. I think two days later he moved his stuff up into the rehearsal room that I was working [out of]. And he's got himself a little 4-track, and kinda started out there, writing and jamming with some people. He was playing with some guys that I thought... you know, weren't up too pair with the music that he was writing. And I remember meeting Mike [Starr] and Sean [Kinney] prior to that.