Liana Finck Quotes

<p>NOT EVERYTHING NEEDS TO BE EVERYTHING.

I so much think of the Torah as just a story and, like, a beautiful window into the way people thought thousands of years ago and the way people were thousands of years ago.

Humor is like a good eye for design, it comes when you have a strong sense of proportion along with the grace to step back and not take every little thing too seriously.

Something I learned about myself is that I really like to draw tiny. For Instagram each drawing is an inch or two, so I scanned them very high-resolution and blew them up. It's a strange way to work, but I think it makes sense because I'm saying intense things in a very tiny voice, which describes my personality.

(On one page you wrote, “if you intend to create a world – you need to leave the real world behind”) I think my mom believed that. I think both of us deep down have this feeling that either you can have your art or you can have your life. I don’t think that’s really true. I think you can have both.

I think that’s the thing that happens in my life that is closest to art and so I tend to make art about it. I also really love nostalgic writers. Two of my favorite writers are Proust and Nabokov, who are all about lost childhoods and loves that could have been.

I think that’s when I realized that my favorite thing to write is about my life, but with some fictional things thrown in. I think that’s a good thing to do with comics because I think the line between fiction and truth is blurred in comics in a way that it is isn’t in writing because in writing with magical realism it’s really obvious that you’re lying. In a comic, you could just like draw a ghost there and you don’t need to explain why it’s there. It’s a lot simpler and less involved

I’m alone a lot so I think I draw as a way to get my feelings out when I’m not with people.

I realize I don’t like to draw any character and then I realized you don’t need to make them look like anything. They just need facial expressions. That’s how it feels to be a person. You don’t know what you look like, you just know what you’re feeling.

I don't know a lot of cartoonists who laugh a lot. I think when we hear a joke we just get still like a dog who smells an animal. It becomes about isolating the part that's funny and unexpected and thinking more about that. You get spiraled into the nuances of what makes something funny and who thinks it's funny.

if you care too much, then you can't tell a story that moves. You can't be funny. If you're too close to something, sometimes you can't make it light or snappy.

The shadow represents my strangeness and my creativity—my soul, which I used to run from in hopes of learning how to fit in.

I think a movement of women coming forward and saying we’re not what society says we are should also be a men’s movement. I wish men would be evaluating themselves. I see a lot of defensiveness in the bad men and a lot of ‘I’m not going to talk about myself, let’s only talk about women’ in the good men and that’s kind of a shame.