Their elaborate manners masked simple reactions. Like their mode of life their characters were essentially natural; spontaneous, unintrospective, brimming over with normal feelings, love of home and family, loyalty, conviviality, desire for fame, hero-worship, patriotism. And they showed their feelings too. Happy creatures! They lived before the days of the stiff upper lip and the inhibited public school Englishman. A manly tear stood in their eye at the story of a heroic deed... They were equally frank about their less elevated sentiments. Eighteenth century rationalism combined with rural common sense to make them robustly ready to face unedifying facts. And they declared their impressions with a brusque honesty, outstandingly characteristic of them.

I cannot recall a time when stories and rhymes and pictures and tunes were not for me the chief source of interest and pleasure in life. I stress the word pleasure. Pleasure has played a large part in my life; pleasure, solitary and sociable, carnal or spiritual; pleasure in the beauties of art and nature, in the enthralling variety of the human scene; and pleasure in jokes. Nothing has been included here, however interesting its subject matter, which does not also give me pleasure.

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England can best express her passionate will to peace by proposing something concrete to solve present difficulties. To show ourselves generous and sensible is in our own finest tradition. Cannot we, through the League, propose to offer Germany some mandate or devise other means to allow for her expansion? Even if it is only to gratify her desire for prestige, we are sufficiently proud of our prestige to sympathize with this desire. To refuse to do so is to show ourselves guilty of the same narrow, selfish nationalism that we deplore in the more reckless utterances of Fascist leaders.

Let us announce to the League that we admit Germany's right to development and that we are prepared to concede something to procure it. An impartial commission might then draw up definite proposals. The Germans are far more likely to appreciate the advantage of the collective system if for once it is employed to assist them. They have learnt that they only get things by the threat of force: let us show them we can offer them something concrete by peaceful methods. May I repeat, except for the admittedly searching question of these Colonies, there is no reason why England and Germany should not live in perfect unity together. Let us keep calm and shape a policy in the light of the consoling truth.

The Whig aristocracy was a unique product of English civilization. It was before all things a governing class. At a time when economic power was concentrated in the landed interest, the Whigs were among the biggest landowners: their party was in office for the greater part of the eighteenth century.

Founded as their position was on landed property, the Whig aristocracy was never urban. They passed at least half the year in their country seats; and there they occupied themselves in the ordinary avocations of country life. The ladies interested themselves in their children, and visited the poor; the gentlemen looked after their estates, rode to hounds, and administered from the local bench justice to poachers and pilferers. Their days went by, active, out-of-door, unceremonious; they wore riding-boots as often as silk stockings. Moreover, they were always in touch with the central and serious current of contemporary life. The fact that they were a governing class meant that they had to govern.

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Poetry is usually concerned with what is universal and unchanging in human life; novels necessarily with much that is local and ephemeral. Moreover poetry, almost like music, transcends the limitations of time by appealing to our emotions through our basic primitive sense of rhythm and harmony.

Since life to them was so secure and so pleasant, the Whig aristocrats tended to take its fundamental values very much for granted; they concentrated rather on how to live. And here again, their ideal was not an artless one. Their customs, their mode of speech, their taste in decoration, their stylish stiff clothes, are alike marked by a character at once polished and precise, disciplined and florid.

Comedy was implicit in the manner in which she <nowiki>[</nowiki>Jane Austen<nowiki>]</nowiki> told her story. Her irony, her delicate ruthless irony, was of the substance of her style. It never obtruded itself; sometimes it only glinted out in a turn of phrase. But it was never absent for more than a paragraph; and her most straightforward piece of exposition was tart with its perfume.

The eighteenth century was the age of clubs; and Whig society itself was a sort of club, exclusive, but in which those who managed to achieve membership lived on equal terms; a rowdy, rough-and-tumble club, full of conflict and plain speaking, where people were expected to stand up for themselves and take and give hard knocks. At Eton the little dukes and earls cuffed and bullied each other like street urchins. As mature persons in their country homes, or in the pillared rooms of Brook's Club, their intercourse continued more politely, yet with equal familiarity. While their House of Commons life passed in a robust atmosphere of combat and crisis and defeat.