Stars were falling deep in the darkness
as prayers rose softly, petals at dawn
And as I listened, your voice seemed so clear
so calmly you were calling your god

Somewhere the sun rose, o'er dunes in the desert
such was the stillness, I ne'er felt before
Was this the question, pulling, pulling, pulling you
in your heart, in your soul, did you find rest there?

Elsewhere a snowfall, the first in the winter
covered the ground as the bells filled the air
You in your robes sang, calling, calling, calling him
in your heart, in your soul, did you find peace there?

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I have long considered the creative impulse to be a visit-a thing of grace, perhaps. Not commanded, owned, so much as awaited, prepared for. A thing, also, of mystery.

One of the most wonderful and engaging things I've learned is that we are the culmination and extension of each other's histories and there is more that binds us together than separates us, and in discovering this, perhaps our needs are timeless and universal. I have a very deep interest in religion and spirituality. I like the Sufi perspective, which suggests that it is better to participate in the world than to become detached from the world.

Until the early nineties, I was under the impression that the Celts were this mad collection of anarchists from Ireland, Scotland and Wales. When I saw an exhibition in Venice, I discovered they were a vast collection of tribes originating from Middle and Eastern Europe as far back as 500 BC, and that over the centuries they migrated and integrated with people all over the world. So I've used this cultural history as a creative muse. With The Book Of Secrets in particular, I was interested in beginning with their earlier and more Eastern history

There is a wonderful old Chinese proverb that I love, "A good traveler has no fixed plans and is not intent on arriving". I think about my personal approach to musical projects much like a travel writer might approach the preparation for a book. You latch on to a certain theme or historical event and follow that into the unknown, while, at the same time, expanding on those themes.

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Within my pounding heart which kept itself entirely for him
He fell into his sleep beneath the cedars all my love I gave From o'er the fortress walls the wind would his hair against his brow And with its smoothest hand caressed my every sense it would allow.

Upon that misty night in secrecy, beyond such mortal sight
Without a guide or light than that which burned so deeply in my heart
That fire t'was led me on and shone more bright than of the midday sun To where he waited still it was a place where no one else could come.

Upon a darkened night the flame of love was burning in my breast
And by a lantern bright I fled my house while all in quiet rest.
Shrouded by the night and by the secret stair I quickly fled. The veil concealed my eyes while all within lay quiet as the dead.

A painting hangs on an ivy wall Nestled in the emerald moss The eyes declare a truce of trust And then it draws me far away Where deep in the desert twilight Sand melts in pools of the sky When darkness lays her crimson cloak Your lamps will call me home

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A clouded dream on an earthly night Hangs upon the crescent moon A voiceless song in an ageless light Sings at the coming dawn Birds in flight are calling there Where the heart moves the stones It's there that my heart is calling All for the love of you