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I am most comfortable with writing and pen and ink illustrations. My filter tends to be cut ups of what is around me blurred into my own feelings and interests of the Victorian era. I don't try to categorize myself but I do recognize my influences are a bit more macabre than usual.

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In choosing my materials I wanted to keep an organic feel to the book. Some might consider this an art book, but I was really just trying to give it some life. Having seen what is being printed by majors these days with poor quality paper, I wanted to provide the reader with a book that carries more value near the same price and that can last for generations. Nothing would be more inspiring to me than to know my books are treasured like an heirloom.

Primarily, they (ideas) come from daydreaming or every day occurrences. I try to get out and about, especially new places to let the environment inspire me. I start an illustration of a building I see and then the elements of different characters will populate in my mind like a set and actors on a stage. If nothing comes up I continue to draw until something unfolds.

It is important to teach our young about who they are and how culture can empower them to help the greater community. It is very difficult, especially in the age of technology to curb what mass-media and marketing try to tell us who we are, and even more difficult when those closest to you act uninterested. It is an uphill climb, sometimes alone, to find the truth.

I believe it has come out of the zombie effect of assimilation. Certain young people are fed up with the commercialization of society, of corporations and political parties trying to define us, of stereotypes and racism based [on] greed and power and of the dominant culture building parking lots and malls over our heritage sites.