CHARLIE (Intently) You hate all white men, don’t you, Matoseh? TSHEMBE (A burst of laughter. Casting his eyes up) Oh, dear God, why? (He crosses down and away) Why do you all need it so?! This absolute lo-o-onging for my hatred! (A sad smile plays across his lips) I shall be honest with you, Mr. Morris. I do not “hate” all white men — but I desperately wish that I did. It would make everything infinitely easier! But I am afraid that, among other things, I have seen the slums of Liverpool and Dublin and the caves above Naples. I have seen Dachau and Anne Frank’s attic in Amsterdam. I have seen too many raw-knuckled Frenchmen coming out of the Metro at dawn and too many hungry Italian children to believe that those who raided Africa for three centuries ever “loved” the white race either. I would like to be simple-minded for you, but — (Turning these eyes that have “seen” up to the other with a smile) — I cannot. I have — (He touches his brow) — seen.

TSHEMBE (Closing his eyes, wearily) I said racism is a device that, of itself, explains nothing. It is simply a means. An invention to justify the rule of some men over others. CHARLIE (Pleased to have at last found common ground) But I agree with you entirely! Race hasn’t a thing to do with it actually. TSHEMBE Ah — but it has! CHARLIE (Throwing up his hands) Oh, come on, Matoseh. Stop playing games! Which is it, my friend? TSHEMBE I am not playing games. (He sighs and now, drawn out of himself at last, proceeds with the maximum precision and clarity he can muster) I am simply saying that a device is a device, but that it also has consequences: once invented it takes on a life, a reality of its own. So, in one century, men invoke the device of religion to cloak their conquests. In another, race. Now, in both cases you and I may recognize the fraudulence of the device, but the fact remains that a man who has a sword run through him because he refuses to become a Moslem or a Christian — or who is shot in Zatembe or Mississippi because he is black — is suffering the utter reality of the device. And it is pointless to pretend that it doesn’t exist — merely because it is a lie! CHARLIE

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I wanted to be able to come here and speak with you on this occasion because you are young, gifted, and black…I, for one, can think of no more dynamic combination that a person might be. . . And that is why I say to you that, though it be a thrilling and marvelous thing to be merely young and gifted in such times, it is doubly so, doubly dynamic — to be young, gifted, and black.

Child, when do you think is the time to love somebody the most? When he’s done good and made things easy for everybody? That ain’t the time at all. It’s when he’s at his lowest……and he can’t believe in himself because the world’s whipped him so!

Write if you will: but write about the world as it is and as you think it ought to be and must be — if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking — but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.

Lorraine Hansberry speech, “To Be Young, Gifted, and Black,” given to Readers Digest/United Negro College Fund creative writing contest winners, NYC, May 1, 1964.

CHARLIE Have you ever wondered — I am being devil’s advocate now — if just possibly he hadn’t “capitalized,” so to speak, on the backwardness he found here? MARTA (Tightly) Mr. Morris, I am not a very complicated person. I believe that people are what they do. You may think it simple-minded of me if you like — but if you don’t understand the depth of his sacrifice merely by being here —

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I always thought it was the one concrete thing in the world that a human being could do. Fix up the sick, you know — and make them whole again. This was truly being God...

There is a great deal of pomp. In Europe the European is — (Playing it) — very civilized. When our delegations are ushered in, and our people have said what they came to say, the Europeans have a way of looking very hurt as if they have never heard of these things before … and presently we sit there feeling almost as if it is we who have been unreasonable. And then they stand up — it is always the Europeans who stand up first — and they say (With exaggerated Oxford accent and the dignity of a minuet): “Well. There are undoubtedly some valid things in what you have had to say … but we mustn’t forget, must we, there are some valid things in what the settlers say? Therefore, we will write a report, which will be forwarded to the Foreign Secretary, who will forward it to the Prime Minister, who will approve it for forwarding to the settler government in Zatembe” — (Abruptly sobering) — who will laugh and not even read it.

I’ll tell you right off, Matoseh, I know you are trying to decide: which kind am I? One of the obtuse ones who is sure to ask you all about rituals and lions? Or one of the top-heavy “little magazine” types who is going to engage a real live African intellectual in a discussion of “negritude” and Senghor’s poetry to show that I am — (He winks; TSHEMBE smiles back the least bit, warming) — really — “in.” Well, I am neither. I am a man who feels like talking.

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Write if you will: but write about the world as it is and as you think it ought to be and must be — if there is to be a world. Write about all the things that men have written about since the beginning of writing and talking — but write to a point. Work hard at it, care about it. Write about our people: tell their story. You have something glorious to draw on begging for attention. Don’t pass it up. Don’t pass it up. Use it. Good luck to you. The Nation needs your gifts.

Lorraine Hansberry speech, “To Be Young, Gifted, and Black,” given to Readers Digest/United Negro College Fund creative writing contest winners, NYC, May 1, 1964.