Louise Glück Quotes

I sleep so you will be alive,
it is that simple.

We must let him sleep, said the grandmother. We must walk quietly by. He is at that point in life at which neither returning to the beginning nor advancing to the end seems bearable; therefore, he has decided to stop, here, in the midst of things, though this makes him an obstacle to others, such as ourselves. But we must not give up hope; in my own life, she continued, there was such a time, though that was long ago.

To raise the veil.
To see what you're saying goodbye to.

I am suspicious of my existing ideas, my conscious thoughts and convictions. They are what I need to get beyond, into ignorance and after that, with luck, discovery.

Gretel in Darkness:

This is the world we wanted.
All who would have seen us dead
are dead. I hear the witch's cry
break in the moonlight through a sheet
of sugar: God rewards.
Her tongue shrivels into gas....

Now, far from women's arms
And memory of women, in our father's hut
we sleep, are never hungry.
Why do I not forget?
My father bars the door, bars harm
from this house, and it is years.

No one remembers. Even you, my brother,
summer afternoons you look at me as though
you meant to leave,
as though it never happened.
But I killed for you. I see armed firs,
the spires of that gleaming kiln — Nights I turn to you to hold me
but you are not there.
Am I alone? Spies
hiss in the stillness, Hansel
we are there still, and it is real, real,
that black forest, and the fire in earnest.

even here, even at the beginning of love,
her hand leaving his face makes
an image of departure
and they think
they are free to overlook
this sadness.

...whatever/ returns from oblivion/ returns to find a voice.

I did not expect to survive,
earth suppressing me. I didn't expect
to waken again, to feel
in damp earth my body
able to respond again, remembering
after so long how to open again
in the cold light
of earliest spring— afraid, yes, but among you again
crying yes risk joy in the raw wind of the new world.

Sounds weren't coming out of my mouth. And yet they were in my head, expressed, possibly, as something less exact, thought perhaps, though at the time they still seemed like sounds to me.

When Hades decided he loved this girl
he built for her a duplicate of earth,
everything the same, down to the meadow,
but with a bed added.
Everything the same, including sunlight,
because it would be hard on a young girl
to go so quickly from bright light to utter darkness

Gradually, he thought, he’d introduce the night,
first as the shadows of fluttering leaves.
Then moon, then stars. Then no moon, no stars.
Let Persephone get used to it slowly.
In the end, he thought, she’d find it comforting.

A replica of earth
except there was love here.
Doesn’t everyone want love?

He waited many years,
building a world, watching
Persephone in the meadow.
Persephone, a smeller, a taster.
If you have one appetite, he thought,
you have them all.

Doesn’t everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns — That’s what he felt, the lord of darkness,
looking at the world he had
constructed for Persephone. It never crossed his mind
that there’d be no more smelling here,
certainly no more eating.

Guilt? Terror? The fear of love?
These things he couldn’t imagine;
no lover ever imagines them.

He dreams, he wonders what to call this place.
First he thinks: The New Hell. Then: The Garden.
In the end, he decides to name it
Persephone’s Girlhood.

A soft light rising above the level meadow,
behind the bed. He takes her in his arms.
He wants to say I love you, nothing can hurt you

but he thinks
this is a lie, so he says in the end
you’re dead, nothing can hurt you
which seems to him
a more promising beginning, more true.

The sound of the sea — just memory now.

What others found in art,
I found in nature. What others found
in human love, I found in nature.

We look at the world once, in childhood.
The rest is memory

Tell me this is the future,
I won’t believe you.
Tell me I’m living,
I won’t believe you.

The air had become heavy, not because it had greater substance, but because there was nothing left to breathe.