Louise Penny Quotes

That was the danger. Not that betrayals happened, not that cruel things happened, but that they could outweigh all the good. That we could forget the good and only remember the bad.

Everyday for Lucy's entire dog life Jane had sliced a banana for breakfast and had miraculously dropped one of the perfect disks on to the floor where it sat for an instant before being gobbled up. Every morning Lucy's prayers were answered, confirming her belief that God was old and clumsy and smelt like roses and lived in the kitchen.
But no more.
Lucy knew her God was dead. And she now knew the miracle wasn't the banana, it was the hand that offered the banana.

Life is loss. But out of that, as the book stresses, comes freedom. If we can accept that nothing is permanent, and change is inevitable, if we can adapt, then we’re going to be happier people.

Loss was like that, Gamache knew. You didn’t just lose a loved one. You lost your heart, your memories, your laughter, your brain and it even took your bones. Eventually it all came back, but different. Rearranged.

I just sit where I'm put, composed
of stone and wishful thinking:
that the deity who kills for pleasure
will also heal,
that in the midst of your nightmare,
the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck
and caress you into darkness and paradise.

To be silent. In hopes of not offending, in hopes of being accepted.

But what happened to people who never spoke, never raised their voices? Kept everything inside?

Gamache knew what happened. Everything they swallowed, every word, thought, feeling rattled around inside, hollowing the person out. And into that chasm they stuffed their words, their rage.

Life is choice. All day, everyday. Who we talk to, where we sit, what we say, how we say it. And our lives become defined by our choices. It’s as simple and as complex as that. And as powerful. So when I’m observing, that’s what I’m watching for. The choices people make.

Gamache knew people were like homes. Some were cheerful and bright, some gloomy. Some could look good on the outside but feel wretched on the interior. And some of the least attractive homes, from the outside, were kindly and warm inside.

He also knew the first few rooms were for public consumption. It was only in going deeper that he'd find the reality. And finally, inevitably, there was the last room, the one we keep locked, and bolted and barred, even from ourselves. Especially from ourselves.

Our lives are like a house. Some people are allowed on the lawn, some onto the porch, some get into the vestibule or the kitchen. The better friends are invited deeper into our home, into our living room.'

'And some are let into the bedroom,' said Gamache.

Better to accept the wretched truth than struggle, twisting to make a wish a reality.

The only thing money really buys?...Space. A bigger house, a bigger car, a larger hotel room. First-class plane tickets. But it doesn't even buy comfort. No one complains more than the rich and entitled. Comfort, security, ease. None of them come with money.

In my teens my drug of choice was acceptance, in my twenties it was approval, in my thirties it was love, in my forties it was Scotch. That lasted a while,’ she admitted. ‘Now all I really crave is a good bowel movement.

Abby Hoffman said we should all eat what we kill. That would put an end to war.

His theory is that life is loss,’ said Myrna after a moment. ‘Loss of parents, loss of loves, loss of jobs. So we have to find a higher meaning in our lives than these things and people. Otherwise we’ll lose ourselves.

Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room.

But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.