Hong Kong actress
Maggie Cheung Man-yuk (Chinese: 張曼玉) (born 20 September 1964) is a Hong Kong former actress. Raised in Hong Kong and Britain, she started her career after placing second in 1983's Miss Hong Kong Pageant. She achieved critical success in the late 1980s and into the early 2000s, before taking a break from acting following her last starring role in 2004. She rarely makes public appearances except for fashion events and award ceremonies.
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At that time, she didn’t have much ambition for her acting career, because of the kind of roles she was offered. I noticed that, if given a lot of dialogue, she would become very nervous; then I cut most of her lines, so she could concentrate on her body language, which is something she was very good at.
Yet “Maggie” (as her fans affectionately call her) stands out against western clichés about Chinese actresses. No Orientalist fantasy, she is a modern Hong Kong woman, a complex mirror image of post-colonial dilemmas: displacement, racist misrepresentation and partial loss of cultural identity (she speaks English better than she can read Chinese characters). Unlike such mainland stars as Gong Li and Siqin Gaowa, she has never formally trained as an actress and her acting depends more on emotion than technique.