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Beyond any human lifetime, and often even within it, what is recorded is what is remembered, the records gradually displacing the actuality of lived events. And what is recorded is a fraction of what is thought, felt, acted out, lived — a fraction at best edited by the very act of its selection, at worst warped by rationalization or fictionalized by a deliberate retelling of reality. The stories we tell about our own lives, to others but especially to ourselves, we tell in order to make our lives livable.

At watershed moments of upheaval and transformation, we anticipate with terror the absence of the familiar parts of life and of ourselves that are being washed away by the current of change. But we fail to envision the unfamiliar gladness and gratifications the new tide would bring, the unfathomed presences, for our imaginations are bounded by our experience. The unknown awakens in us a reptilian dread that plays out with the same ferocity on scales personal, societal, and civilizational, whether triggered by a new life-chapter or a new political regime or a new world order.

This false notion of the body as the testing ground for intimacy has long warped our understanding of what constitutes a romantic relationship. The measure of intimacy is not the quotient of friction between skin and skin, but something else entirely — something of the love and trust, the joy and ease that flow between two people as they inhabit that private world walled off from everything and everyone else.

We spend our lives trying to discern where we end and the rest of the world begins. We snatch our freeze-frame of life from the simultaneity of existence holding on to the illusions of permanence, congruence, and linearity; of static selves and lives that unfold in sensical narratives. All the while, we mistake chance for choice, our labels and models of things for the things themselves, our records for history. History is not what happened, but what survives the shipwrecks of judgment and chance.

Those accustomed to hard work and self-propulsion, who have risen to the zenith of accomplishment by force of will and magnitude of effort, are most susceptible to the supreme self-damnation of human life — the belief that love is something to be earned by striving rather than something that comes unbidden like a shepherd's song on a summer evening in the mountains of Bulgaria.

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It takes rare courage to recognize that feelings are the most perishable of our possessions, even more so than opinions, for an opinion — that is, a real opinion, which is qualitatively different than a fleeting impression or a borrowed stance — is arrived at via a well-reasoned argument with oneself. Not so a feeling — feelings coalesce out of the vapors that escape from the deepest groundwaters of our unreasoned and unreasonable being, and whatever rainbows they may scatter for a moment when touched with the light of another, they diffuse and evaporate just as readily, just as mysteriously.
Love, Margaret implies in her letter to Sam, is never to be taken for granted — it is to be met moment by moment, on its ever-changing terms.

Even the farthest seers can't bend their gaze beyond their era's horizon of possibility, but the horizon shifts with each incremental revolution as the human mind peers outward to take in nature, then turns inward to question its own givens. We sieve the world through the mesh of these certitudes, tautened by nature and culture, but every once in a while — whether by accident or conscious effort — the wire loosens and the kernel of revolution slips through.