Marianne Moore

BY DISPOSITION OF ANGELS
Messengers much like ourselves? Explain it.
Steadfastness the darkness makes explicit?
Something heard most clearly when not near it?
Above particularities,
these unparticularities praise cannot violate.
One has seen, in such steadiness never deflected,
how by darkness a star is perfected.
Star that does not ask me if I see it?
Fir that would not wish me to uproot it?
Speech that does not ask me if I hear it?
Mysteries expound mysteries.
Steadier than steady, star dazzling me, live and elate,
no need to say, how like some we have known; too like her,
too like him, and a-quiver forever.

Words cluster like chromosomes, determining the procedure.

You do not seem to realize that beauty is a liability rather
than
an asset - that in view of the fact that spirit creates form
we are justified in supposing
that you must have brains. For you, a symbol of the
unit, stiff and sharp,
conscious of surpassing by dint of native superiority and
liking for everything
self-dependent, anything an

ambitious civilization might produce: for you, unaided, to
attempt through sheer
reserve, to confuse presumptions resulting from
observation, is idle. You cannot make us
think you a delightful happen-so. But rose, if you are
brilliant, it
is not because your petals are the without-which-nothing
of pre-eminence. Would you not, minus
thorns, be a what-is-this, a mere
perculiarity? They are not proof against a worm, the
elements, or mildew;
but what about the predatory hand? What is brilliance
without co-ordination? Guarding the
infinitesimal pieces of your mind, compelling audience to
the remark that it is better to be forgotten than to be re-
membered too violently,
your thorns are the best part of you.

Injudicious Gardening Fear is Hope

china eyes and furry countenance confront the nymph’s large eyes — gray eyes that now are black, for she with controlled agitated glance explores the insect’s face and all’s a-quiver with significance. It is Goya’s scene of the tame magpie faced by crouching cats. Butterflies do not need home advice. As though the admiring nymph were patent-leather cricket singing loud or gnat-catching garden-toad, the swallow- tail bewitched and haughty,

Poetry is the art of creating imaginary gardens with real toads.

But don’t give me, if I can’t have the dress,
a trip to Greenland, or grim
trip to the moon. The moon should come here. Let him
make the trip down, spread on my dark floor some dim
marvel, and if a success
that I stoop to pick up and wear,
I could ask nothing more.

The heart that gives, gathers.

I don't consider In Distrust of Merits a poem. It's just a burst of feelings. It's emotion recorded, a 'haphazard form ' a protest.

nor are there any
ivory
tusks like those two horns which when a tiger
coughs, are lowered fiercely
and convert the fur
to harmless rubbish.

the power of relinquishing
what one would keep; that is freedom. Become dinosaur-
skulled, quilled or salamander-wooled, more ironshod
and javelin-dressed than a hedgehog battalion of steel, but be
dull. Don’t be envied or
armed with a measuring rod.

I am hard to disgust, but a pretentious poet can do it

Blessed is the man who “takes the risk of a decision” — asks himself the question: “Would it solve the problem?
Is it right as I see it? Is it in the best interests of all?

I have learned more from Ezra Pound about writing than from anyone else.

ROSEMARY
Beauty and Beauty’s son and rosemary — Venus and Love, her son, to speak plainly — born of the sea supposedly, at Christmas each, in company,
braids a garland of festivity.
Not always rosemary — since the flight to Egypt, blooming differently.
With lancelike leaf, green but silver underneath,
its flowers — white originally — turned blue. The herb of memory,
imitating the blue robe of Mary,
is not too legendary
to flower both as symbol and as pungency.
Springing from stones beside the sea,
the height of Christ when thirty-three — it feeds on dew and to the bee
“hath a dumb language”; is in reality
a kind of Christmas-tree.