Top 15 Martin Amis Quotes

Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.

Style is not neutral; it gives moral directions.

And meanwhile time goes about its immemorial work of making everyone look and feel like shit.

Life is made of fear. Some people eat fear soup three times a day. Some people eat fear soup all the meals there are. I eat it sometimes. When they bring me fear soup to eat, I try not to eat it, I try to send it back. But sometimes I'm too afraid to and have to eat it anyway.

When the past is forgotten, the present is unforgettable

Oh Christ, the exhaustion of not knowing anything. It's so tiring and hard on the nerves. It really takes it out of you, not knowing anything. You're given comedy and miss all the jokes. Every hour you get weaker. Sometimes, as I sit alone in my flat in London and stare at the window, I think how dismal it is, how heavy, to watch the rain and not know why it falls.

Closure is a greasy little word which, moreover, describes a nonexistent condition. The truth, Venus, is that nobody gets over anything.

Only in art will the lion lie down with the lamb, and the rose grow without thorn.

He awoke at six, as usual. He needed no alarm clock. He was already comprehensively alarmed.

The universe is a million billion light-years wide, and every inch of it would kill you if you went there. This is the position of the universe with regards to human life.

You never can tell, though, with suicide notes, can you? In the planetary aggregate of all life, there are many more suicide notes than there are suicides. They're like poems in that respect, suicide notes: nearly everyone tries their hand at them some time, with or without the talent. We all write them in our heads. Usually the note is the thing. You complete it, and then resume your time travel. It is the note and not the life that is cancelled out. Or the other way round. Or death. You never can tell, though, can you, with suicide notes.

What did Nabokov and Joyce have in common, apart from the poor teeth and the great prose? Exile, and decades of near pauperism. A compulsive tendency to overtip. An uxoriousness that their wives deservedly inspired. More than that, they both lived their lives 'beautifully' — not in any Jamesian sense (where, besides, ferocious solvency would have been a prerequisite), but in the droll fortitude of their perseverance. They got the work done, with style.

It seems to me that you need a lot of courage, or a lot of something, to enter into others, into other people. We all think that everyone else lives in fortresses, in fastnesses: behind moats, behind sheer walls studded with spikes and broken glass. But in fact we inhabit much punier structures. We are, as it turns out, all jerry-built. Or not even. You can just stick your head under the flap of the tent and crawl right in. If you get the okay.

The first thing that distinguishes a writer is that he is most alive when alone.

I gestured at my litre of fizzy red wine. “Want a drop of this?” I asked him.
No thanks. I try not to drink at lunchtime.”
So do I. But I never quite make it.”
I feel like shit all day if I drink at lunchtime.”
Me too. But I feel like shit all lunchtime if I don’t.”
Yes, well it all comes down to choices, doesn’t it?” he said. “It’s the same in the evenings. Do you want to feel good at night or do you want to feel good in the morning? It’s the same with life. Do you want to feel good young or do you want to feel good old? One or the other, not both.”
Isn’t it a tragedy?