Kids don’t know about best sellers. They go for what they enjoy. They aren’t star chasers and they don’t suck up. It’s why I like them.

"Can you draw a picture on the blackboard when somebody doesn't want you to? asked the rooster promptly.
"Yes," answered Kenny," if you write them a very nice poem."
"What is an only goat?"
"A lonely goat," answered Kenny.
The rooster shut one eye and looked at Kenny.
"can you hear a horse on the roof?" he asked.
"If you know how to listen in the night," said Kenny.
"Can you fix a broken promise?"
"Yes," said Kenny,"if it only looks broken,but really isn't."
The rooster drew his head back into his feathers and whispered, "What is a very narrow escape?"
"When somebody almost stops loving you," Kenny whispered back."

The qualities that make for excellence in children's literature can be summed up in a single word: imagination. And imagination as it relates to the child is, to my mind, synonymous with fantasy. Contrary to most of the propaganda in books for the young, childhood is only partly a time of innocence. It is, in my opinion, a time of seriousness, bewilderment, and a good deal of suffering. It's also possibly the best of all times. Imagination for the child is the miraculous, freewheeling device he uses to course his way through the problems of every day....It's through fantasy that children achieve catharsis.

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"A book is really like a lover. It arranges itself in your life in a way that is beautiful. Even as a kid, my sister, who was the eldest, brought books home for me, and I think I spent more time sniffing and touching them than reading. I just remember the joy of the book, the beauty of the binding. The smelling of the interior. Happy."

[Interview with Emma Brockes, The Believer, November/December, 2012]

Certainly we want to protect our children from new and painful experiences that are beyond their emotional comprehension and that intensify anxiety; and to a point we can prevent premature exposure to such experiences. That is obvious. But what is just as obvious — and what is too often overlooked — is the fact that from their earliest years children live on familiar terms with disrupting emotions, fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustrations as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things.

"Sendak is in search of what he calls a "yummy death". William Blake set the standard, jumping up from his death bed at the last minute to start singing. "A happy death," says Sendak. "It can be done." He lifts his eyebrows to two peaks. "If you're William Blake and totally crazy.

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There's so much more to a book than just the reading.

If there's anything I'm proud of in my work — it's not that I draw better; there's so many better graphic artists than me — or that I write better, no. It's — and I'm not saying I know the truth, because what the hell is that? But what I got from Ruth and Dave, a kind of fierce honesty, to not let the kid down, to not let the kid get punished, to not suffer the child to be dealt with in a boring, simpering, crushing-of-the-spirit kind of way.

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