American novelist, short story writer, essayist
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I suppose there is something appealing about a word that everyone uses with absolute confidence but on whose exact meaning no two people can agree. The word that I’m thinking of right now is genre, one of those French words, like crêpe, that no one can pronounce both correctly and without sounding pretentious.
The problem, if anything, was precisely the opposite. I had too much to write: too many fine and miserable buildings to construct and streets to name and clock towers to set chiming, too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within, too many terrible genetic and fiduciary secrets to dig up and bury and dig up again, too many divorces to grant, heirs to disinherit, trysts to arrange, letters to misdirect into evil hands, innocent children to slay with rheumatic fever, women to leave unfulfilled and hopeless, men to drive to adultery and theft, fires to ignite at the hearts of ancient houses.
Although it was only nine o'clock he had already gone once around the pharmacological wheel to which he'd strapped himself for the evening, stolen a tuba, and offended a transvestite; and now his companions were beginning, with delight and aplomb, to barf. It was definitely a Crabtree kind of night.
I have staked my career—my life itself—on the things I could see, on the stories I could credit, and on the eventual vindication, when the book was closed, of the reasonable and skeptical approach. In the face of twenty-five years of bloodshed, mayhem, criminality, and the universal human pastime of ruination, I have clung fiercely to Occam’s razor, seeking always to keep my solutions unadorned and free of conjecture, and never to resort to conspiracy or any kind of prosecutorial woolgathering. My mother, whenever she was confronted by calamity or personal sorrow, invoked cosmic emanations, invisible empires, ancient prophecies, and intrigues; it has been the business of my life to reject such folderol and seek the simpler explanation. But we were fools, she and I, arrant blockheads, each of us blind to or heedless of the readiest explanation: that the world is an ungettable joke, and our human need to explain its wonders and horrors, our appalling genius for devising such explanations, is nothing more than the rim shot that accompanies the punch line.