I like to say something in as little time as possible…I don't think I have the fundamental confidence necessary to write a four-minute meandering song. Number one – because I'm impatient. But number two – because I've never been someone who is listened to. No one would stop to listen to me. I'm not a white guy noodling on a guitar for 45 minutes. No one would stay for me. I learned from a young age to be concise because there's a very small window for me to grab someone's attention.

I wouldn’t say it’s an alter ego, but I have anxiety around social situations, and I don’t like going to parties…As a performer, onstage I know my place. I’m sure of myself. There’s no doubt. It’s just existing, and it’s so lovely to get to be for an hour.

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Even when I'm in a scene I don't think of myself as being in the scene. I'm very conscious of myself being an outsider. I think that has to do with my upbringing outside of the US – not just my heritage but that I grew up differently. I moved to a different country every year or every other year…a lot of different places due to my father's occupation.

I was always bothered when people say, 'I cry to your music, it sounds like a diary, it sounds so personal,'…Yes, it is personal. But that's so gendered. There's no feeling of, 'Oh, maybe she's a songwriter and she wrote this as a piece of art.'

…A lot of the 'yous' in my songs are abstract ideas about music...I will neglect everything else, including me as a person, just to get to keep making music…And even if it actually sometimes hurts, it doesn't matter as long as I get to be a musician.

…it was actually about when you have some kind of toxic relationship to yourself, or to another person, for so long that it becomes your identity. Even when you don't need it anymore and you've stepped away from it, you still hold on to it because it's scary to let it go — because if you actually let it go, it feels like erasing yourself. That song is about likening that sort of toxicity to a pearl.

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I’ve often found myself in a situation where, narratively speaking, I’m the bad guy,” she says. “We can acknowledge more than just black and white. If you present something that feels true to you, there will be other people who are like, ‘This is true to me too.’

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…this song is quite autobiographical because I didn't grow up in the U.S. I am half Japanese, and it came from wanting to just fit into this very American person's life and simply not being able to. Just fundamentally being from a different place and feeling like I would just get in the way of their progression if their life, because I could just never get to wherever they're naturally going.

It was right around Christmas… and it was kind of too expensive for me to try to fly back from Australia to the U.S. on holiday prices, so I just decided to stay in that side of the world. I went to Malaysia instead…I thought it would be a great vacation, but I went alone, and I went during the holidays when everyone else is spending time with their families, and so, long story short, I ended up feeling incredibly, devastatingly alone… I think of myself as, you know, a very solitary, kind of introverted person, so I didn't plan for loneliness, and then it just happened and I didn't know what to do about it. So I wrote a song.

The phrase 'Be the cowboy you want to see in the world' has been an inside joke between me and myself…I would always kind of say it to myself in situations where I feel like I'm sort of trapped in my own mind. Like, 'Oh, what would a swaggering, western movie cowboy do in this situation?'

I write personal stories about relationships, and living in this world and being a human being…but I happen to live in a world which views me as an Asian American. So my experiences are tainted by that, even if I'm not conscious of it. Someone said 'the personal is political', where it seems like me just being honest about my experiences as a human being and as a person translates as being political about being an Asian American person. I'm not in this to be political or a social activist, it just happens that my being honest is a very political thing.

You always want what you can't have, and that all-American thing, from the day I was born, I could never enter that dream. That all-American white culture is something that is inherited instead of attained. So yes, it's a sad song, but I wanted to make sure it reflected all of the contrasting feelings. You can be heartbroken about a relationship, but also, from it, realize you are you and you're okay with who you are, or where you came from.