American writer (born 1952)
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Voices as guides, lines and stanzas as rooms, sometimes a single word the furniture on which to sit...each day we could open the door, and enter, and be found. These days I wonder-was life always strange-just strange in different ways? Does speaking some of the strangeness help us survive it, even if we can't solve or change it?
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I have always thought about how stupid and boring violence seems in this world where we could just listen to more stories instead, right? We could ask people who trouble us, Could you tell me your story? Usually I have found when you ask someone to do that, you end up feeling closer to them, even if their story in no way mirrors yours. Find a better thing to do.
So how can we continue to help-be tuning forks in some way? I guess that's the job of writers. We're tuning forks. We strike a note and it's not what we sing, so much, just that we strike this note-and then that note resonates in someone else's life, maybe they hear a harmonious note in their own lives.
When you drove out in the country, you felt closer to the earth than you felt in the city. You had better thoughts in the country. Your thoughts made falcon moves, dipping and rippling, swooping back into your brain to land. Maybe the motion of spinning wheels relaxed and enlivened them. Your thoughts weren't tied to one spot, and they weren't nervous, either. They were just open, and rolling. Maybe this was why some people decided to travel all of their lives, going to new places, not knowing what they would see next. (p211)