All that has by nature, with systematic method, been arranged in the universe, seems both in part and as a whole to have been determined and ordered in accordance with number, by the forethought and the mind of him that created all things; for the pattern was fixed, like a preliminary sketch, by the domination of number preëxistent in the mind of the world-creating God, number conceptual only and immaterial in every way, but at the same time the true and the eternal essence, so that with reference to it, as to an artistic plan, should be created all these things: time, motion, the heavens, the stars, all sorts of revolutions.

More evidently still astronomy attains through arithmetic the investigations that pertain to it, not alone because it is later than geometry in origin—for motion naturally comes after rest—nor because the motions of the stars have a perfectly melodious harmony, but also because risings, settings, progressions, retrogressions, increases, and all sorts of phases are governed by numerical cycles and quantities. So then we have rightly undertaken first the systematic treatment of this, as the science naturally prior, more honorable, and more venerable, and, as it were, mother and nurse of the rest; and here we will take our start for the sake of clearness.

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Since of quantity, one kind is viewed by itself, having no relation to anything else, as 'even,' 'odd,' 'perfect,' and the like, and the other is relative to something else, and is conceived of together with its relationship to another thing, like' double,' , greater,' 'smaller,' 'half,' 'one and one-half times,' 'one and one-third times,' and so forth, it is clear that two scientific methods will lay hold of and deal with the whole investigation of quantity: arithmetic, [with] absolute quantity; and music, [with] relative quantity.

And once more is this true in the case of music; not only because the absolute is prior to the relative, as 'great' to 'greater' and 'rich' to 'richer' and 'man' to 'father,' but also because the musical harmonies, diatessaron, diapente, and diapason, are named for numbers; similarly all of their harmonic ratios are arithmetical ones, for the diatessaron <nowiki>[</nowiki>] is the ratio of 4 : 3, the diapente <nowiki>[</nowiki>] that of 3 : 2, and the diapason [perfect ] the double ratio [2 : 1]; and the most perfect, the di-diapason <nowiki>[</nowiki>], is the quadruple ratio [4 : 1].

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Bodily, material things are... continuously involved in continuous flow and change—in imitation of the nature and peculiar quality of that eternal matter and substance which has been from the beginning... The bodiless things, however, of which we conceive in connection with or together with matter, such as qualities, quantities, configurations, largeness, smallness, equality, relations, actualities, dispositions, places, times, all those things... whereby the qualities in each body are comprehended—all these are of themselves immovable and unchangeable, but accidentally they share in and partake of the affections of the body to which they belong. Now it is with such things that 'wisdom' is particularly concerned, but accidentally also with... bodies.

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The ancients, who under the leadership of Pythagoras first made science systematic, defined philosophy as the love of wisdom... [Οἱ παλαιοὶ καὶ πρώτοι μεθοδεύσαντες ἐπιστήμην κατάρξαντος Πυθαγόρου ὡρίζοντο φιλοσοφίαν εἶναι φιλίαν σοφίας...] This 'wisdom' he defined as the knowledge, or science, of the truth in real things, conceiving 'science' to be a steadfast and firm apprehension of the underlying substance. and 'real things' to be those which continue uniformly and the same in the universe and never depart even briefly from their existence; these real things would be things immaterial...

To quote the words of Timaeus, in Plato, "What is that which always is, and has no birth, and what is that which is always becoming but never is? The one is apprehended by the mental processes, with reasoning, and is ever the same; the other can be guessed at by opinion in company with unreasoning sense, a thing which becomes and passes away, but never really is."
Therefore, if we crave for the goal which is worthy and fitting for man, namely happiness of life—and this is accomplished by philosophy alone and nothing else, and philosophy means... for us desire for wisdom, and wisdom the science of the truth of things... it is reasonable and most necessary to distinguish and systematize the accidental qualities of things.

Some... agreeing with , believe that the proportion is called harmonic because it attends upon all geometric harmony, and they say that 'geometric harmony' is the cube because it is harmonized in all three dimensions, being the product of a number thrice multiplied together. For in every cube this proportion is mirrored; there are in every cube 12 sides, 8 angles and 6 faces; hence 8, the [harmonic] mean between 6 and 12, is according to harmonic proportion...

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If geometry exists, arithmetic must also needs be implied... But on the contrary 3, 4, and the rest might be 5 without the figures existing to which they give names. Hence arithmetic abolishes geometry along with itself, but is not abolished by it, and while it is implied by geometry, it does not itself imply geometry.