Some... agreeing with , believe that the proportion is called harmonic because it attends upon all geometric harmony, and they say that 'geometric harmony' is the cube because it is harmonized in all three dimensions, being the product of a number thrice multiplied together. For in every cube this proportion is mirrored; there are in every cube 12 sides, 8 angles and 6 faces; hence 8, the [harmonic] mean between 6 and 12, is according to harmonic proportion...
Greco-Syrian mathematician (c. 60 – c. 120 AD)
, or Nicomachus of Gerasa, (Greek: Νικόμαχος; c. 60 – c. 120 CE) was an important ancient Greek mathematician best known for and Manual of Harmonics. He was born in , in the Roman province of Syria (now , ). Although a Neopythagorean who wrote about the mystical properties of numbers, Nicomachus was strongly influenced by Aristotle.
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All that has by nature, with systematic method, been arranged in the universe, seems both in part and as a whole to have been determined and ordered in accordance with number, by the forethought and the mind of him that created all things; for the pattern was fixed, like a preliminary sketch, by the domination of number preëxistent in the mind of the world-creating God, number conceptual only and immaterial in every way, but at the same time the true and the eternal essence, so that with reference to it, as to an artistic plan, should be created all these things: time, motion, the heavens, the stars, all sorts of revolutions.
More evidently still astronomy attains through arithmetic the investigations that pertain to it, not alone because it is later than geometry in origin—for motion naturally comes after rest—nor because the motions of the stars have a perfectly melodious harmony, but also because risings, settings, progressions, retrogressions, increases, and all sorts of phases are governed by numerical cycles and quantities. So then we have rightly undertaken first the systematic treatment of this, as the science naturally prior, more honorable, and more venerable, and, as it were, mother and nurse of the rest; and here we will take our start for the sake of clearness.
And once more is this true in the case of music; not only because the absolute is prior to the relative, as 'great' to 'greater' and 'rich' to 'richer' and 'man' to 'father,' but also because the musical harmonies, diatessaron, diapente, and diapason, are named for numbers; similarly all of their harmonic ratios are arithmetical ones, for the diatessaron <nowiki>[</nowiki>] is the ratio of 4 : 3, the diapente <nowiki>[</nowiki>] that of 3 : 2, and the diapason [perfect ] the double ratio [2 : 1]; and the most perfect, the di-diapason <nowiki>[</nowiki>], is the quadruple ratio [4 : 1].
If geometry exists, arithmetic must also needs be implied... But on the contrary 3, 4, and the rest might be 5 without the figures existing to which they give names. Hence arithmetic abolishes geometry along with itself, but is not abolished by it, and while it is implied by geometry, it does not itself imply geometry.
In Plato's Republic, when the interlocutor of Socrates appears to bring certain plausible reasons to bear upon the mathematical sciences, to show that they are useful to human life, arithmetic for reckoning, distributions, contributions, exchanges, and partnerships, geometry for sieges, the founding of cities and sanctuaries, and the partition of land, music for festivals, entertainment, and the worship of the gods, and the doctrine of the spheres, or astronomy, for farming, navigation and other undertakings, revealing beforehand the proper procedure and suitable season, Socrates, reproaching him says: "You amuse me, because you seem to fear that these are useless studies that I recommend; but that is very difficult, nay, impossible. For the eye of the soul, blinded and buried by other pursuits, is rekindled and aroused again by these and these alone, and it is better that this be saved than thousands of bodily eyes, for by it alone is the truth of the universe beheld."
Plato, too, at the end of the thirteenth book of the Laws, to which some give the title The Philosopher... adds: "Every diagram, system of numbers, every scheme of harmony, and every law of the movement of the stars, ought to appear one to him who studies rightly; and what we say will properly appear if one studies all things looking to one principle, for there will be seen to be one bond for all these things, and if anyone attempts philosophy in any other way he must call on Fortune to assist him. For there is never a path without these... The one who has attained all these things in the way I describe, him I for my part call wisest, and this I maintain through thick and thin." For it is clear that these studies are like ladders and bridges that carry our minds from things apprehended by sense and opinion to those comprehended by the mind and understanding, and from those material, physical things, our foster-brethren known to us from childhood, to the things with which we are unacquainted, foreign to our senses, but in their immateriality and eternity more akin to our souls, and above all to the reason which is in our souls.
Without the aid of these, then, it is not possible to deal accurately with the forms of being nor to discover the truth in things, knowledge of which is wisdom, and evidently not even to philosophize properly, for "just as painting contributes to the menial arts toward correctness of theory, so in truth lines, numbers, harmonic intervals, and the revolutions of circles bear aid to the learning of the doctrines of wisdom," says the Pythagorean Androcydes. Likewise Archytas of Tarentum, at the beginning of... On Harmony, says... in about these words: "It seems to me that they do well to study mathematics, and it is not at all strange that they have correct knowledge about each thing, what it is. For if they knew rightly the nature of the whole, they were also likely to see well what is the nature of the parts. About geometry, indeed, and arithmetic and astronomy, they have handed down to us a clear understanding, and not least also about music. For these seem to be sister sciences; for they deal with sister subjects, the first two forms of being."
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Since of quantity, one kind is viewed by itself, having no relation to anything else, as 'even,' 'odd,' 'perfect,' and the like, and the other is relative to something else, and is conceived of together with its relationship to another thing, like' double,' , greater,' 'smaller,' 'half,' 'one and one-half times,' 'one and one-third times,' and so forth, it is clear that two scientific methods will lay hold of and deal with the whole investigation of quantity: arithmetic, [with] absolute quantity; and music, [with] relative quantity.