I myself find the division of the world into an objective and a subjective side much too arbitrary. The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer. But that does not mean that it is not a genuine reality. And splitting this reality into an objective and a. subjective side won't get us very far.

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The enrichment which art can give us originates in its power to remind us of harmonies beyond the grasp of systematic analysis. Literary, pictorial and musical art may be said to form a renunciation of definition, characteristic of scientific communication, leaves fantasy a freer display. In particular, in poetry this purpose is achieved by the juxtaposition of words relating to shifting observational situation, thereby emotionally uniting manifold aspects of human knowledge.

I feel very much like Dirac: the idea of a personal God is foreign to me. But we ought to remember that religion uses language in quite a different way from science. The language of religion is more closely related to the language of poetry than to the language of science. True, we are inclined to think that science deals with information about objective facts, and poetry with subjective feelings. Hence we conclude that if religion does indeed deal with objective truths, it ought to adopt the same criteria of truth as science. But I myself find the division of the world into an objective and a subjective side much too arbitrary. The fact that religions through the ages have spoken in images, parables, and paradoxes means simply that there are no other ways of grasping the reality to which they refer. But that does not mean that it is not a genuine reality. And splitting this reality into an objective and a subjective side won't get us very far.

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