To tell the truth, I often felt uneasy when I thought of the excessive brittleness and fragility of the moon. The moon is generally repaired in Hamburg, and very imperfectly. It is done by a lame cooper, an obvious blockhead who has no idea how to do it. He took waxed thread and olive-oil—hence that pungent smell over all the earth which compels people to hold their noses. And this makes the moon so fragile that no men can live on it, but only noses. Therefore we cannot see our noses, because they are on the moon.

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[Final lines] mother, mother, save your unhappy son! Let a tear fall on his aching head! See how they torture him! Press the poor orphan to your bosom! He has no rest in this world; they hunt him from place to place. Mother, mother, have pity on your sick child! And do you know that the Bey of Algiers has a wart under his nose?

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Rus! Rus! I see you, from my lovely enchanted remoteness I see you: a country of dinginess, and bleakness and dispersal; no arrogant wonders of nature crowned by the arrogant wonders of art appear within you to delight or terrify the eyes... So what is the incomprehensible secret force driving me towards you? Why do I constantly hear the echo of your mournful song as it is carried from the sea through your entire expanse?... And since you are without end yourself, is it not within you that a boundless thought will be born?

The gentleman lolling back in the chaise was neither dashingly handsome nor yet unbearably ugly, neither too stout nor yet too thin; it could not be claimed he was old but he was no stripling, either. His arrival in the town created no stir and was not marked by anything out of the ordinary.

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As it is so strangely ordained in this world, what is amusing will turn into being gloomy, if you stand too long before it, and then God knows what ideas may not stray into the mind... Why is it that even in moments of unthinking, careless gaiety a different and strange mood comes upon one?