If only we could pull out our brain and use only our eyes.

Every positive value has its price in negative terms... the genius of Einstein leads to Hiroshima.

No. It took me sixty years to draw that.

People want to find a meaning in everything and everyone. That's the disease of our age...

You have got to be able to picture side by side everything Matisse and I were doing at that time. No one has ever looked at Matisse's painting more carefully than I; and no one has looked at mine more carefully than he.

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What one does is what counts and not what one had the intention of doing.

It would be very curious to record by means of photographs, not the stage of the picture, but its metamorphoses. Perhaps one would perceive the path taken by the mind in order to put its dreams into a concrete form. But what is really very curious is to observe that fundamentally the picture does not change, that despite appearances the initial vision remains almost intact (Boisgeloup, winter 1934).

Painting it's a blind man profession. Painter is painting not what he sees but what he feels.

How can you expect a beholder to experience my picture as I experienced it? A picture comes to me a long time beforehand; who knows how long a time beforehand, I sensed, saw, and painted it and yet the next day even I do not understand what I have done. How can anyone penetrate my dreams, my instincts, my desires, my thought, which have taken a long time to fashion themselves and come to the surface, above all to grasp what I put there, perhaps involuntary.

The idea of research has often made painting go astray, and made the artist lose himself in mental lucubrations. Perhaps this has been the principal fault of modern art. The spirit of research has poisoned those who have not fully understood all the positive and conclusive elements in modern art and has made them attempt to paint the invisible and, therefore, the unpaintable.

It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jaques-Emile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish of Van Gogh, in short the inner drama of the man. The rest is false. [Boisgeloup, winter 1934].

Sin una gran soledad ningún trabajo serio es posible

Go and do the things you can’t. That is how you get to do them.

I don't know where he [ Marc Chagall ] gets those images; he must have an angel in his head.

On met très longtemps à devenir jeune.