American writer (1892–1973)
Pearl Sydenstricker Buck (born Pearl Comfort Sydenstricker; Chinese: 赛珍珠; Pinyin: Sài Zhēnzhū; 26 June 1892 – 6 March 1973), primarily known as Pearl S. Buck, was a prolific American writer. In 1938, she became the first American woman to win the Nobel Prize for Literature.
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And listening to all the things they would do if they had these things, Wang Lung heard only of how much they would eat and sleep, and of what dainties they would eat that they had never tasted,and how they would gamble in this great tea shop and in that, and what pretty women they would buy for their lust, and above all, how none would ever work again, even as they rich man behind the wall never worked.
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The instinct which creates the arts is not the same as that which produces art. The creative instinct is, in its final analysis and in its simplest terms, an enormous extra vitality, a super-energy, born inexplicably in an individual, a vitality great beyond all the needs of his own living — an energy which no single life can consume. This energy consumes itself then in creating more life, in the form of music, painting, writing, or whatever is its most natural medium of expression. Nor can the individual keep himself from this process, because only by its full function is he relieved of the burden of this extra and peculiar energy — an energy at once physical and mental, so that all his senses are more alert and more profound than another man's, and all his brain more sensitive and quickened to that which his senses reveal to him in such abundance that actuality overflows into imagination. It is a process proceeding from within. It is the heightened activity of every cell of his being, which sweeps not only himself, but all human life about him, or in him, in his dreams, into the circle of its activity.
A good novelist, or so I have been taught in China, should be above all else tse ran, that is, natural, unaffected, and so flexible and variable as to be wholly at the command of the material that flows through him. His whole duty is only to sort life as it flows through him, and in the vast fragmentariness of time and space and event to discover essential and inherent order and rhythm and shape. We should never be able, merely by reading pages, to know who wrote them, for when the style of a novelist becomes fixed, that style becomes his prison. The Chinese novelists varied their writing to accompany like music their chosen themes.