Out of the woman's great brown breast the milk gushed forth for the child, milk as white as snow, and when the child suckled at the one breast it flowed like a fountain from the other, ans she let it flow. There was more than enough for the child, greedy though he was, life enough for many children, and she let it flow out carelessly, conscious of her abundance. There was always more. Sometimes she lifted her breast and let it flow out upon the ground to save her clothing, and it sank into the earth and made a soft, dark, rich spot in the field. The child fat and good-natured and ate of the inexhaustible life his mother gave him.
American writer (1892–1973)
Pearl Sydenstricker Buck (born Pearl Comfort Sydenstricker; Chinese: 赛珍珠; Pinyin: Sài Zhēnzhū; 26 June 1892 – 6 March 1973), primarily known as Pearl S. Buck, was a prolific American writer. In 1938, she became the first American woman to win the Nobel Prize for Literature.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
John Sedges
Birth Name:
Pearl Comfort Sydenstricker
Native Name:
Pearl Comfort Sydenstricker Buck Walsh
Alternative Names:
Pearl Buck
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Pearl Sydenstricker Buck
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Pearl Sydenstricker
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Sai Zhenzhu
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Pearl Comfort Sydenstricker Buck
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Pirl Bak
From Wikidata (CC0)
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I believe in human beings, but my faith is without sentimentality. I know that in environments of uncertainty, fear, and hunger, the human being is dwarfed and shaped without his being aware of it, just as the plant struggling under a stone does not know its own condition. Only when the stone is removed can it spring up freely into the light. But the power to spring up is inherent, and only death puts an end to it. I feel no need for any other faith than my faith in human beings.
The instinct which creates the arts is not the same as that which produces art. The creative instinct is, in its final analysis and in its simplest terms, an enormous extra vitality, a super-energy, born inexplicably in an individual, a vitality great beyond all the needs of his own living — an energy which no single life can consume. This energy consumes itself then in creating more life, in the form of music, painting, writing, or whatever is its most natural medium of expression. Nor can the individual keep himself from this process, because only by its full function is he relieved of the burden of this extra and peculiar energy — an energy at once physical and mental, so that all his senses are more alert and more profound than another man's, and all his brain more sensitive and quickened to that which his senses reveal to him in such abundance that actuality overflows into imagination. It is a process proceeding from within. It is the heightened activity of every cell of his being, which sweeps not only himself, but all human life about him, or in him, in his dreams, into the circle of its activity.
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It is a shameful sign of our arrogance that our history departments have almost no Chinese history in them, our literature courses almost no Chinese literature, our philosophy departments almost none of the great Chinese systems of philosophy. And our religious schools have been the most arrogant of all. This ignorant arrogant mind has become fixed in its patterns. It is the pattern which considers anything not American to be inferior — unless it be English.