The question of chemical residues on the food we eat is a hotly debated issue. The existence of such residues is either played down by the industry as unimportant or is flatly denied. Simultaneously, there is a strong tendency to brand as fanatics or cultists all who are so perverse as to demand that their food be free of insect poisons. In all this cloud of controversy, what are the actual facts?
American marine biologist and conservationist (1907–1964)
Rachel Louise Carson (27 May 1907 – 14 April 1964) was an American marine biologist, writer, and conservationist whose influential book Silent Spring (1962) and other writings are credited with advancing the global environmental movement. The impact of Carson's works are still felt today as our awareness of environmental contaminants continues to grow.
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Who has made the decision that sets in motion these chains of poisonings, this ever-widening wave of death that spreads out, like ripples when a pebble is dropped into a still pond? Who has placed in one pan of the scales the leaves that might have been eaten by the beetles and in the other the pitiful heaps of many-hued feathers, the lifeless remains of the birds that fell before the unselective bludgeon of insecticidal poisons? Who has decided - who has the right to decide - for the countless legions of people who were not consulted that the supreme value is a world without insects, even though it be also a sterile world ungraced by the curving wing of a bird in flight? The decision is that of the authoritarian temporarily entrusted with power; he has made it during a moment of inattention by millions to whom beauty and the ordered world of nature still have a meaning that is deep and imperative.
It was written, moreover, out of the deep conviction that the life of the sea is worth knowing. To stand at the edge of the sea, to sense the ebb and the flow of the tides, to feel the breath of a mist moving over a great salt marsh, to watch the flight of shore birds that have swept up and down the surf lines of continents for untold thousands of years, to see the running of the old eels and the young shad to the sea, is to have knowledge of things that are as nearly eternal as any earthly life can be. These things were before ever man stood on the shore of the ocean and looked out upon it with wonder; they continue year in, year out, through the centuries and the ages, while man's kingdoms rise and fall.
There is also a response, not to familiar surroundings, but to cosmic forces. Every fortnight, on the moon's quarter, a batch of eggs is fertilized and taken into the brood chamber to begin its development. And at the same time the larvae that have been made ready during the previous fortnight are expelled into the sea. By this timing-this precise synchronizing with the phases of the moon-the release of young always occurs on a neap tide, when neither the rise nor the fall of the water is of great extent, and even for so small a creature the chances of remaining within the rockweed zone are good.
Whatever the vexations or concerns of their personal lives, their thoughts can find paths that lead to inner contentment and to renewed excitement in living. Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is symbolic as well as actual beauty in the migration of the birds, the ebb and flow of the tides, the folded bud ready for the spring.
It soon became evident that there was no single animal — bird, fish, mammal, or any of the sea's lesser creatures — that could live in all the various parts of the sea I proposed to describe. That problem was instantly solved, however, when I realised that the sea itself must be the central character whether I wished it or not; for the sense of the sea, holding the power of life and death over every one of its creatures from the smallest to the largest, would inevitably pervade every page.
You are wise enough to understand that being “a little lonely” is not a bad thing. A writer’s occupation is one of the loneliest in the world, even if the loneliness is only an inner solitude and isolation, for that he must have at times if he is to be truly creative. And so I believe only the person who knows and is not afraid of loneliness should aspire to be a writer. But there are also rewards that are rich and peculiarly satisfying.