Ralph Ellison Quotes

Perhaps to lose a sense of where you are implies the danger of losing a sense of who you are. That must be it, I thought — to lose your direction is to lose your face.

The moment I entered the bright, buzzing lobby of Men’s House I was overcome by a sense of alienation and hostility … The lobby was the meeting place for various groups still caught up in the illusions that had just been boomeranged out of my head: college boys working to return to school down South; older advocates of racial progress with utopian schemes for building black business empires; preachers ordained by no authority except their own, without church or congregation, without bread or wine, body or blood; the community “leaders” without followers; old men of sixty or more still caught up in post-Civil War dreams of freedom within segregation; the pathetic ones who possessed noting beyond their dreams of being gentlemen, who held small jobs or drew small pensions, and all pretending to be engaged in some vast, though obscure, enterprise, who affected the pseudo-courtly manners of certain southern congressmen and bowed and nodded as they passed like senile old roosters in a barnyard; they younger crowd for whom I now felt a contempt such as only a disillusioned dreamer feels for those still unaware that they dream — the business students from southern colleges, for whom business was a vague, abstract game with rules as obsolete as Noah’s Ark but who yet were drunk on finance.

But live you must, and you can either make passive love to your sickness or burn it out and go on to the next conflicting phase.

Which suggested to me that a novel could be fashioned as a raft of hope, perception and entertainment that might help keep us afloat as we tried to negotiate the snags and whirlpools that mark our nation’s vacillating course toward and away from the democratic ideal.

Had the price of looking been blindness, I would have looked.

For their most innocent words were acts of violence to which we of the campus were hypersensitive though we endured them not.

But on the other hand, it would be a great mistake to assume that the dead are absolutely powerless.

Could he have meant — hell, he must have meant the principle, that we were to affirm the principle on which the country was built and not the men, or at least not the men who did the violence. Did he mean say “yes” because he knew that the principle was greater than the men, greater than the numbers and the vicious power and all the methods used to corrupt its name? Did he mean to affirm the principle, which they themselves had dreamed into being out of the chaos and darkness of the feudal past, and which they had violated and compromised to the point of absurdity even in their own corrupt minds? Or did he mean that we had to take the responsibility for all of it, for the men as well as the principle, because we were the heirs who must use the principle because no other fitted our needs? Not for the power or for vindication, but because we, with the given circumstance of our origin, could only thus find transcendence? Was it that we of all, we, most of all, had to affirm the principle, the plan in whose name we had been brutalized and sacrificed — not because we would always be weak nor because we were afraid or opportunistic, but because we were older than they, in the sense of what it took to live in the world with others and because they had exhausted in us, some — not much, but some — of the human greed and smallness, yes, and the fear and superstition that had kept them running. (Oh, yes, they’re running too, running all over themselves.) Or was it, did he mean that we should affirm the principle because we, through no fault of our own, were linked to all the others in the loud, clamoring semi-visible world, that world seen only as a fertile field for exploitation by Jack and his kind, and with condescension by Norton and his, who were tired of being the mere pawns in the futile game of “making history”? Had he seen that for these too we had to say “yes” to the principle, lest they turn upon us to destroy both it and us?

"I wanted peace and quiet, tranquillity, but was too much aboil inside. Somewhere beneath the load of the emotion-freezing ice which my life had conditioned my brain to produce, a spot of black anger glowed and threw off a hot red light of such intensity that had Lord Kelvin known of its existence, he would have had to revise his measurements. A remote explosion had occurred somewhere, perhaps back at Emerson's or that night in Bledsoe's office, and it had caused the ice cap to melt and shift the slightest bit. But that bit, that fraction, was irrevocable. Coming to New York had perhaps been an unconscious attempt to keep the old freezing unit going, but it hadn't worked; hot water had gotten into its coils. Only a drop, perhaps, but that drop was the first wave of the deluge. One moment I believed, I was dedicated, willing to lie on the blazing coals, do anything to attain a position on the campus — then snap! It was done with, finished, through. Now there was only the problem of forgetting it. If only all the contradictory voices shouting inside my head would calm down and sing a song in unison, whatever it was I wouldn't care as long as they sang without dissonance; yes, and avoided the uncertain extremes of the scale. But there was no relief. I was wild with resentment but too much under "self-control," that frozen virtue, that freezing vice. And the more resentful I became, the more my old urge to make speeches returned. While walking along the streets words would spill from my lips in a mumble over which I had little control. I became afraid of what I might do. All things were indeed awash in my mind. I longed for home."

Perhaps simple to be known, to be looked upon by so many people, to be the focal point of so many concentrating eyes, perhaps this was enough to make one different; enough to transform one into something else, someone else; just as by becoming and increasingly larger boy one became one day a man.

"New York!" he said. "That's not a place, it's a dream."

Every serious novel is, beyond its immediate thematic preoccupations, a discussion of the craft, a conquest of the form, a conflict with its difficulties and a pursuit of its felicities and beauty.

Do they come to bury the others or to be entombed to give life or to receive it?

He's only a man. Remember that. He's only a man!

I ran away into the dark, laughing so hard I feared I might rupture myself.