Any writing exposes writers to judgment about the quality of their work and their thought. The closer they get to painful personal truths, the more fear mounts — not just about what they might reveal but about what they might discover should they venture too deeply inside. To write well, however, that’s exactly where we must venture.

"When members of the London Poetry Society asked Browning to interpret a particularly difficult passage of Sordello, he read it twice, frowned, then admitted, "When I wrote that, God and I knew what I meant, but now God alone knows."

Rather than risk sounding dense, readers, colleagues, and critics who can't figure out what a writer is trying to say but think it sounds intelligent will typically resort to calling such work "daring," "provocative," or "complex." An unholy alliance of writers and readers is at work here."

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Christopher Isherwood tried to trick a good topic into rising from his unconscious by irritating it, “deliberately writing nonsense until it intervenes, as it were, saying, ‘All right, you idiot, let me fix this.