I have argued this question, novel versus essays, and I do come out on the novel side. Because though both these forms use intellect and imagination, they do it in different proportions — the essay more on the intellect side and the novel more on the imaginative side. And the imaginative is freedom. You're at liberty to inhabit other people — including the bad guys — which is sometimes very thrilling, since you won't do it in real life. (On how imagining "the bad guy" relates to empathy) It's the beginning of empathy, indeed. And it's also a place where you can make judgments, where you can enter other people's minds and at the same time subtly, not didactically, not as if you're giving a sermon or a tract. But you can also make judgments, and they can be social judgments, moral judgments, metaphysical judgments.

("On why she writes") Because I can't not. I mean, what else am I going to do with my life? That's another way of putting it. I simply must. Writers simply can't help themselves. In a way they're sort of like the queen of England. Every writer is doomed to his or her profession. What else is the queen going to do with her life? She was born a queen; she's stuck. And writers are stuck, too.

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there was a time when a new novel came out — let's take Saul Bellow — and it was a public event. And really, it wasn't just an elitist hobby. I remember — this goes way, way back into my early childhood — when Gone with the Wind was published, the world was whirling around this novel. I remember walking to school and seeing shopkeepers sitting outside their shops reading Gone with the Wind. This was an event. It changed people's minds. Maybe I have a yearning for that, though I don't see it would ever happen again. On the other hand, didn't we see that with Downton Abbey? So maybe it isn't all lost.

...this is very nice, cozy. You got a nice cozy place, Lublin." "Cramped," Rosa said. "I work from a different theory. For everything, there's a bad way of describing, also a good way. You pick the good way, you go along better." "I don't like to give myself lies," Rosa said. "Life is short, we all got to lie.

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(Tell us about your favorite short story.) There are too many to be tempted to isolate only one, so here are five: “Lighea” (sometimes titled “The Professor and the Mermaid”), by Giuseppe Tomasi di Lampedusa; “My Quarrel With Hersh Rasseyner,” by Chaim Grade; Chekhov’s “Ward Six”; Tolstoy’s “The Death of Ivan Ilych”; James’s “The Beast in the Jungle” (everyone’s autobiography).

I think the word is intractable. I blame the lack of live and let live. And which side is it coming from more than the other side? I think it is coming from people who call other people infidels. That's how it strikes me." Was she moved the first time she went to Israel? "Yes. Probably not like my father, who was simply swept away. He couldn't get over that he had ascended Mount Zion. I don't see any solution here. I'm despairing. That's where I stand.

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