Richard Wright Quotes

I'm a rootless man, but I'm neither psychologically distraught nor in any wise particularly perturbed because of it. Personally, I do not hanker after, and seem not to need, as many emotional attachments, sustaining roots, or idealistic allegiances as most people. I declare unabashedly that I like and even cherish the state of abandonment, of aloneness; it does not bother me; indeed, to me it seems the natural, inevitable condition of man, and I welcome it. I can make myself at home almost anywhere on this earth and can, if I've a mind to and when I'm attracted to a landscape or a mood of life, easily sink myself into the most alien and widely differing environments.

As a protective mechanism, I developed a terse, cynical mode of speech that rebuffed those who sought to get too close to me. Conversation was my way of avoiding expression; my words were reserved for those times when I sat down alone to write. My face was always a deadpan or a mask of general friendliness; no word or event could jar me into a gesture of enthusiasm or despair.

Pity can purge us of hostility and arouse feelings of identification with the characters, but it can also be a consoling reassurance which leads us to believe that we have understood, and that, in pitying, we have even done something to right a wrong.

I soon made myself a nuisance by asking far too many questions of everybody. Every happening in the neighborhood, no matter how trivial, became my business.

He was not satisfied with the way things stood now; he was a man who had come in sight of a goal, then had won it, and in winning it had seen just within his grasp another goal, higher, greater. He had learned to shout and had shouted and no ear had heard him; he had just learned to walk and was walking but could not see the ground beneath his feel; he had long been yearning for weapons to hold in his hands and suddenly found that his hands held weapons that were invisible.

A slow autumn rain:
The sad eyes of my mother
Fill a lonely night.

I would say that Dick was my closest friend. We had a small group, Dick Wright, Chester Himes and myself and we lived and enjoyed French life.

I found that I had written a book which even bankers' daughters could read and weep over and feel good about. I swore to myself that if I every wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears.

He was sitting in a white home; dim lights burned round him; strange objects challenged him; and he was feeling angry and uncomfortable.

I paced the floor, knowing that all I possessed were words and dim knowledge that my country had shown me no examples of how to live a human life.

If the stars twinkled more than usual on any given night, it meant that the angels in heaven were happy and were flitting across the doors of heaven; and since stars were merely holes ventilating heaven, the twinkling came from the angels flitting past the holes that admitted air into the holy home of God.

Where could he find such experiences, such spheres of existence? In the main, he accepted the kind of world that the Bible claimed existed; but, for the sufferings, terrors, accidental births, and meaningless deaths of that world, he rejected the Biblical prescriptions of repentance, prayer, faith and grace. He was persuaded that what started on this earth had to be rounded off and somehow finished here.

Perspective is that part of a poem, novel, or play which a writer never puts directly upon paper. It is that fixed point in intellectual space where a writer stands to view the struggles, hopes, and sufferings of his people. There are times when he may stand too close and the result is a blurred vision. Or he may stand too far away and the result is a neglect of important things.

He came like a sledgehammer, like a giant out of the mountain with a sledgehammer, writing with a sledgehammer...

The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self-generating cement which glued his facts together, and his emotions as a kind of dark and obscure designer of those facts.