I came at last to a recognition of myself as, in part, a Tom Sawyer who wanted everything done according to the rules of romantic fiction, and complicated simple solutions with his absurd adolescent, book-born nonsense.

William Prynne's Histrio-Matrix, the Player's Scourge or Actor's Tragedie (1632), a fat book of more than a thousand pages, which forms an admirable compilation of all the Puritan arguments against the theatre. The work is a classic of abuse and a monument to the misplaced scholarship and zeal of its author. Unluckily for Prynne he referred to women actors as 'notorious whores' meaning a group of French actresses who had appeared at Blackfriars in 1629; the reference was taken to apply to Queen Henrietta Maria and her ladies who were about to perform a pastoral at Whitehall. She made a Star Chamber matter of it and Prynne was fined 35,000 pounds, set in the pillory, shorn of his ears, branded and imprisoned for life. The SL on his cheeks he construed as Stigmata Laudis and bore bravely; it is pleasant to know that the life sentence was revoked by the Parliament of the Commonwealth, for although Prynne was a small-souled and cantankerous zealot with a maggot about homosexuality, he was a courageous fighter and a master of invective.

By this time I had discovered that all the gamey bits were cut out of the school texts, because I had a Shakespeare of my own; the Ontario Department of Education was hard at its impossible task of trying to educate the masses without in any permanent way inflaming their minds.

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This is an age of groups, clubs, associations, and whatnot; most members of the clerisy belong to enough of these already. It is within the groups to which they already belong that they can best assert the values of the humanist — curiosity, the free mind, belief in good taste, and belief in the human race.

For twenty years I have been a writer and never before have I been in a milieu where every consideration came before literary consideration. And the opinion of anybody — minor actor, money accountant or baggage man — weighed equally or more heavily than that of the author. My disgust is like a cap of fire bearing down on my head. Why would an author with any pride submit to the impertinences of theatre people?

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Once or twice I have tried to talk to film people about my ugly heroine. I explain to them the extraordinary psychological fascination of the medieval legend of the Loathly Damsel, whose splendour of spirit is confined within a hideous body, and she becomes beautiful only when she is understood and loved. I advise you not to talk to resolutely Hollywood minds about the Loathly Damsel. Their eyes glaze, and their cigars go out, and behind the lenses of their horn-rimmed spectacles I see the dominating symbol of their inner life: it is a dollar sign.