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There's so much competition out there for people's time, and attention, and dollars. So whether it's as a business, or whether it's as a writer who writes a book, if what you're offering is unique, it's going to eventually stand out to people who are looking for that and you're going to connect with your audience.

In a way, diving into that Western and horror aspect of it, it felt like it freed me. It freed me up to have more fun with it in a way, maybe because I wasn't taking myself or my writing as seriously and I was just having fun within those genres. I found it liberating. It's weird to say, because you're putting some constraints around yourself. But then within those constraints, you just opened up this universe within which I could have a lot of fun.

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I thought it would be fascinating to tell a story from the perspective of a Mexican-American lawman and an Apache healer. These characters come from communities that were facing tremendous hardships and persecution. Yet, they often fought for justice, stood up for their people, and even helped diverse communities survive at times when people had to band together – despite their differences – to overcome life-threatening situations. There are many untold stories of unsung heroes throughout the history of the Southwest. My hope is to help those forgotten people – that often gave their lives for their families and communities – attain a visible presence, an audible voice, and their respectful place in the modern American narrative.

The idea for the curse fit perfectly into my passion for magical realism, but it actually stems from a family legend that indeed the men in my family were cursed. Fortunately, for me, I believe it to be a very colorful – if symbolic – fiction, a more palatable way of explaining our human flaws and failures, our past inability to overcome the burdens of our own histories, social barriers, and bad habits.

The ranches and their history at the crux of the U.S.-Mexico War play a palpable role in my novels. The ranches have personalities of their own. Caja Pinta is grand and majestic, a wide-open and spiritual place that connects its inhabitants to nature and to whatever lies beyond this material world. Some might call it magic. Others might call it God. Regardless, it is a place of boundless possibility. El Dos de Copas is small, scrappy and defiant. It is literally the lowest card in the Spanish deck of playing cards. But it keeps playing. It never gives up. It is a place of beleaguered hope.