In the case of Valley of Shadows, I sort of imagine, could the situation have been different had there been more people of color in positions of power? So it kind of turns the Western on its head by having a Mexican American sheriff be the person that's trying to solve these crimes and bring justice to his town. … And by doing that, I wanted to create a story where the people that have often been marginalized in the telling of these histories have an opportunity to reclaim their place and their role in history.

When we understand our histories and we can process the traumas that might have been passed down through the generations, we can better face these issues and also begin to heal as individuals and families. And, if you're a writer or an artist, you might find yourself with a life-changing project on your hands that is both enlightening and empowering.

Borders are a motif in my writing. I was born and raised on the border, and my writing always takes me back there. They say you can take a person out of the border but you can't take the border out of a person. That saying definitely applies to me. Growing up, the border was an invisible line my family and I crossed every day. Because of that, I see borders as porous membranes through which people, animals, goods, services, and the environment must continuously traverse and transmit back and forth.

If we can acknowledge the failures of the past alongside its squandered potential, we can also remember and apply our insights and learnings to our present. It is a way we can envision becoming a better people, capable as a nation of emerging from the shadows of our own creation to fulfill the promise of liberty and justice for all.

We can't forget our past. We must be vigilant of history's injustices and atrocities. No matter what stone we turn, there is a story to be found. Sometimes it lies in plain sight on the surface. Other times it is hidden deep underground. And, more often than not, the architects of a place's history have used the stone as a foundation upon which they've built a museum of illusions, an image of what they would like the truth to be, and how they would choose to see themselves—but also a structure that shadows and obfuscates the truth, leaving millions in the dark about their own proud histories.