"Please," Professor Solanka asked. "Just tell me."
"That's the worst part," Dubdub said. "There's nothing to tell. No direct or proximate cause. You wake up one day and you aren't a part of your life. You know this. Your life doesn't belong to you. Your body is not, I don't know how to make you this the force of this, yours. there's just life, living itself. You don't have it. You don't have anything to do with it. That's all. It doesn't sound like much, but believe me. It's like when you hypnotize someone and persuade them there's a big pile of mattresses outside their window. They no longer see a reason not to jump."
Indian-born British-American novelist (born 1947)
Sir Salman Rushdie (born Ahmed Salman Rushdie, Urdu: أحمد سلمان رشدی, Hindi: अह्मद सलमान रश्डी on 19 June 1947) is an Indian-born British novelist and essayist. Most of his work is set on the Indian subcontinent.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
سلمان رُشدی
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سلمان رشدی
Alternative Names:
Sir Ahmed Salman Rushdie
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Rushdie
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Ahmed Salman Rushdie
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Joseph Anton
From Wikidata (CC0)
"And so I returned to that city in which, in those last hours before reunions, Shaheed and I saw many things which were not true, which were not possible, because our boys would not could not have behaved so badly; we saw men in spectacles with heads like eggs being shot in side-streets, we saw the intelligentsia of the city being massacred by the hundred, but it was not true because it could not have been true, the Tiger was a decent chap, after all, and our jawans were worth ten babus, we moved through the impossible hallucination of the night, hiding in doorways while fired blossomed like flowers, reminding me of the way the Brass Monkey used to set fire to shoes to attract a little attention, there were slit throats being buried in unmarked graves, and Shaheed began his, "No, buddha — what a thing, Allah, you can't believe your eyes — no, not true, how can it — buddha, tell, what's got into my eyes?" And at last the buddha spoke, knowing Shaheed could not hear: "O, Shaheeda," he said, revealing the depths of his fastidiousness, "a person must sometimes choose what he will see and what he will not; look away, look away from there now." But Shaheed was staring at a maidan in which lady doctors were being bayoneted before they were raped, and raped again before they were shot. Above them and behind them, the cool while minaret of a mosque started blindly down upon the scene."
time, in my experience, has been as variable and inconstant as Bombay’s electric power supply. Just telephone the speaking clock if you don’t believe me – tied to electricity, it’s usually a few hours wrong. Unless we’re the ones who are wrong . . . no people whose word for ‘yesterday’ is the same as their word for ‘tomorrow’ can be said to have a firm grip on the time.)
[What Rushdie took away from reading Gunter Grass's The Tin Drum]: Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be ruthless. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things — childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves — that go on slipping like sand, through our fingers.