It did not occur to any of them that their decision was born of a colossal sense of entitlement, this notion that they could just step away from yesterday and start tomorrow as if it wasn't a part of the same week, to move beyond memory and roots and language and race into the land of the self-made self, which is another way of saying, America.

"To grow up steeped in these tellings was to learn two unforgettable lessons: first, that stories were not true (there were no "real" genies in bottles or flying carpets or wonderful lamps), but by being untrue they could make him feel and know truths that the truth could not tell him, and second, that they all belonged to him, just as they belonged to his father, Anis, and to everyone else, they were all his, as they were hsi father's, bright stories and dark stories, sacred stories and profane, his to alter and renew and discard and pick up again as and when he pleased, his to laugh at and rejoice in and live in and with and by, to give the stories life by loving them and to be given life in return. Man was the storytelling animal, the only creature on earth that told itself stories to understand what kind of creature it was. The story was his birthright, and nobody could take it away."

Is it possible that evil is never total, that its victory, no matter how overwhelming, is never absolute?
Consider this fallen man. He sought without remorse to shatter the mind of a fellow human being; and exploited, to do so, an entirely blameless woman, at least partly owing to his own impossible and voyeuristic desire for her. Yet this same man has risked death, with scarcely any hesitation, in a foolhardy rescue attempt.

How treacherous history is! Half-truths, ignorance, deceptions, false trails, errors, and lies, and buried somewhere in between all of that, the truth, in which it is easy to lose faith, of which it is consequently easy to say, it’s a chimera, there’s no such thing, everything is relative, one man’s absolute belief is another man’s fairy tale; but about which we insist, we insist most emphatically, that it is too important an idea to give up to the relativity merchants.

He knew that his father had finally run hard enough and long enough to wear down the frontiers between the worlds, he had run clear out of his skin and into the arms of his wife, to whom he had proved, once and for all, the superiority of his love. Some migrants are happy to depart.

Fictions could be as powerful as histories, revealing the new people to themselves, allowing them to understand their own natures and the natures of those around them, and making them real. This was the paradox of the whispered stories: they were no more than make-believe but they created the truth, and brought into being a city and an army with all the rich diversity of nonfictional people with deep roots in the actually existing world.

It was the Age of Anything-Can-Happen, he reminded himself. He had heard many people say that on TV and on the outré video clips floating in cyberspace, which added a further, new-technology depth to his addiction. There were no rules any more. And in the Age of Anything-Can-Happen, well, anything could happen. Old friends could become new enemies and traditional enemies could be your new besties or even lovers. It was no longer possible to predict the weather, or the likelihood of war, or the outcome of elections. A woman might fall in love with a piglet, or a man start living with an owl. A beauty might fall asleep and, when kissed, wake up speaking a different language and in that new language reveal a completely altered character. A flood might drown your city. A tornado might carry your house to a faraway land where, upon landing, it would squash a witch. Criminals could become kings and kings be unmasked as criminals. A man might discover that the woman he lived with was his father’s illegitimate child. A whole nation might jump off a cliff like swarming lemmings. Men who played presidents on TV could become presidents. The water might run out. A woman might bear a baby who was found to be a revenant god. Words could lose their meanings and acquire new ones. The world might end, as at least one prominent scientist- entrepreneur had begun repeatedly to predict. An evil scent would hang over the ending. And a TV star might miraculously return the love of a foolish old coot, giving him an unlikely romantic triumph which would redeem a long, small life, bestowing upon it, at the last, the radiance of majesty.

Other hurdles were ideological. ‘I’m not fucking fighting to defend women’s right to wear the veil, the hijab, the niqab, whatever,’ she declaimed. ‘All these young women these days who describe the veil as a signifier of their identity. I tell them they are suffering from what that presently unfashionable philosopher Karl Marx would have called false consciousness. In most of the world the veil is not a free choice. Women are forced into invisibility by men. These girls in the West making their quote- unquote free choices are legitimising the oppression of their sisters in the parts of the world where the choice is not free. That’s what I tell them, and they are very shocked. They tell me they find my remarks offensive. I tell them I feel the same way about the veil. It’s exhausting. I’ve become embittered. I just needed to stop.

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But but but what is the point of giving persons Freedom of Speech,’ declaimed Butt the Hoopoe, ‘if you then say they must not utilize same? And is not the Power of Speech the greatest Power of all? Then surely it must be exercised to the full?

Children going to school, a congregation in a synagogue, shoppers in a supermarket, a man on the stage of an amphitheater are all, so to speak, inhabiting a stable picture of the world. A school is a place of education. A synagogue is a place of worship. A supermarket is a place to shop. A stage is a performance space. That’s the frame in which they see themselves. Violence smashes that picture. Suddenly they don’t know the rules — what to say, how to behave, what choices to make. They no longer know the shape of things. Reality dissolves and is replaced by the incomprehensible

Symbolic value of the pickling process: all the six hundred million eggs which gave birth to the population of India could fit inside a single, standard-sized pickle-jar; six hundred million spermatozoa could be lifted on a single spoon. Every pickle-jar (you will forgive me if I become florid for a moment) contains, therefore, the most exalted of possibilities: the feasibility of the chutnification of history; the grand hope of the pickling of time!

Art is not a luxury. It stands at the essence of our humanity, and it asks for no special protection except the right to exist.
It accepts argument, criticism, even rejection. It does not accept violence.
And in the end, it outlasts those who oppress it. The poet Ovid was exiled by Augustus Caesar, but the poetry of Ovid has outlasted the Roman Empire. The poet Mandelstam's life was ruined by Joseph Stalin, but his poetry has outlasted the Soviet Union. The poet Lorca was murdered by the thugs of General Franco, but his art has outlasted the fascism of the Falange.