Of all the many and (thanks to a free press) the ever-multiplying blessings attendant upon the "glorious constitution" of literature, not the least precious and profitable to a modern cultivator of systems and syllables, in pamphlets, magazines, and folios, is the right of Quotation.

Forewarned, forearmed, is sheer nonsense. Who is so indefatigable a scribbler as your abundantly damned author? Which of our orators speak so long and so often as he whom nobody listens to? What actors are so constantly before the public as those whom the town will not go to see? Who so easy to deceive as the dupe who has been taken in all his days? The gamester is a legitimate child of that frail couple, Flesh and Blood; he loses a fourth of what he is worth at the first throw—esteems himself lucky if he loses less today than he did yesterday—goes on staking and forfeiting hour by hour—and parts with his last guinea by exactly the same turn of the dice which lost him his first. Experience leaves fools as foolish as ever.

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Perhaps the author cited is one of those, who, shunning the practice of the world, have taught the world to shun return! whose poetry is too finely spun, whose philosophy is too and mystified for popular demand: perhaps we have experienced feeling which Mr. Wordsworth alludes to, in a poem worthy of simplicity and loneliness of the sentiment—"Often have I sighed to measure By myself a lonely pleasure; Sighed to think I read a book Only read perhaps by me!"

So, in our wisdom and fair justice we go on—"Giving to dust that is a little gilt, More laud than gold e'er dusted;" proclaiming the merits of the bad wine, and making it, by every token, as enticing as we can; and blessing our stars that the good will be found out by its flavor "without our stir." As it is inestimable, we seek not to win esteem for it; as it is beyond all praise, we bestow no praises upon it.

It is in the world of words, amid the dull but perhaps necessary detail of every-day events—that quotations come with a warmth and a welcome upon memory, and like Milton's fish, "Show to the sun their wav'd coats dropt with gold." …In the dry and laboring essay, amid the windings of many words and the accumulation of antecedents, we hail their sudden and familiar appearances as patches of Nature's green to repose on by the way; their "dulcet and harmonious breath" animates a train of associations that dwell in the most sylvan haunts of emotion and sentiment; to their fountains of "loosened silver" we turn for a refreshing and a pleasant abstraction.

Two words of such a book, though possessing no peculiar signification, if met with in the dullest sentence, are enough: they call up, what has been finely termed, the "lightning of the mind." We feel an instantaneous kindness and reverence towards an author (together with a high opinion of his discrimination) who cites as it were the very language of our dreams—the secret converse of our own invisible spirit. We are almost startled at its being made public, and fancy that we have been at some time overheard reading. He is forthwith admitted a member of our heart's privy council. His hard words and bad reasoning are forgiven: we shut our ears to his angular periods—remembering only that his habits and desires, his sympathies, perceptions and enjoyments, are under the same master-key as our own—that he has struck into the same path, drank at the same brook, mused upon the same bank, and plucked almost the same leaf with ourselves.

There is an instinct that leads a listener to be very sparing of credence when a fact is communicated; it doesn't ring well in his ears—it has too much or too little gloss; he receives it with a shrug, and passes it on with a huge notch in it to show how justly it is entitled to suspicion; he is not to be imposed upon by a piece of truth. But give him a fable fresh from the mint of the Mendacity Society—an on dit of the first water—and he will not only make affidavit of its truth, but will call any man out who ventures to dispute its authenticity.