British author and journalist (1804-1845)
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Forewarned, forearmed, is sheer nonsense. Who is so indefatigable a scribbler as your abundantly damned author? Which of our orators speak so long and so often as he whom nobody listens to? What actors are so constantly before the public as those whom the town will not go to see? Who so easy to deceive as the dupe who has been taken in all his days? The gamester is a legitimate child of that frail couple, Flesh and Blood; he loses a fourth of what he is worth at the first throw—esteems himself lucky if he loses less today than he did yesterday—goes on staking and forfeiting hour by hour—and parts with his last guinea by exactly the same turn of the dice which lost him his first. Experience leaves fools as foolish as ever.
Shall we not rejoice then and revel in the glorious liberty of extract, and quote to the thousandth line? Shall we not have pages like the Pyramids? Who ever skipped a quotation, though it made against the interest of the story? Besides, how many books might be numbered that are valuable only in a solitary quotation!—as the oyster is esteemed for the pearl it may sometimes contain.
I must stop to lament, that we cannot evince an admiring gratitude towards other excellent things by a like readiness of quotation: that we cannot, for instance, quote a star that we have been watching; or a hue of sunset; or a friend's voice, and his shake of the hand (I had almost said heart); or a beautiful picture—a Claude or Titian, for example.
It is in the world of words, amid the dull but perhaps necessary detail of every-day events—that quotations come with a warmth and a welcome upon memory, and like Milton's fish, "Show to the sun their wav'd coats dropt with gold." …In the dry and laboring essay, amid the windings of many words and the accumulation of antecedents, we hail their sudden and familiar appearances as patches of Nature's green to repose on by the way; their "dulcet and harmonious breath" animates a train of associations that dwell in the most sylvan haunts of emotion and sentiment; to their fountains of "loosened silver" we turn for a refreshing and a pleasant abstraction.
Perhaps the author cited is one of those, who, shunning the practice of the world, have taught the world to shun return! whose poetry is too finely spun, whose philosophy is too and mystified for popular demand: perhaps we have experienced feeling which Mr. Wordsworth alludes to, in a poem worthy of simplicity and loneliness of the sentiment—"Often have I sighed to measure By myself a lonely pleasure; Sighed to think I read a book Only read perhaps by me!"