Books! Real books were Joneny’s delight. Heavy, cumbersome, difficult to store, they were the bane of most scholars. Joneny found them entrancing. He didn’t care what was in them. Any book today was so old that each word glittered to him like the facet of a lost gem. The whole conception of a book was so at odds with this compressed, crowded, breakneck era that he was put into ecstasy by the simple heft of the paper. His own collection, some seventy volumes, was considered a pretentious luxury by everyone at the University.

In this random, chaotic world, filled with apes and demigods and all in between, where mass murder and assassination is the past time of the hour, where any structure you cling to may topple in a moment, where a City of a Thousand Suns may be destroyed by a machine commanded by the psychosis of an empire and beauty doubts itself as insanity gorged on death—and I am free”—again he drew in his breath—“what am I free to do? You tell me what I am free to do!

You see, the poet is wounded into speech, and he examines these wounds, meticulously, to discover how to heal them. The bad poet harangues at the pain and yowls at the weapons that lacerate him; the great poet explores the inflamed lips of ruined flesh with ice-caked fingers, glittering and precise; but ultimately his poem is the echoing, dual voice reporting the damage.

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The aristocracy," she repeated. "At its worst, a sargasso of every conceivable neurosis society may have; by naming itself it has agreed to its own death. But at least it has had the dignity to applaud its own order of execution in the past if the document is eloquent.

When what is is congruent to what is supposed the reaction is functional and the mental processes competent. When what is and what is supposed to have nothing to do with each other the choice of reactions is random. Something tears. Stay or run, laugh or frown: the decision is chance.

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Jon was surprised. “You don’t believe that military discipline can be a good experience?”
“Experience is what you make it,” the officer said. “That’s real profound, huh? Boys into men? Look at the guys who like the army, or even do well there. Guys who hate the random inconsistency of their parents so much they are willing to give up love to get a father who hands out his orders by a book of rules you can run and check in the library, even if the rule is go out and die. You’ll do a lot better if you come to terms with the father you already have than by running off to the state substitute.”
Despite drunkenness, the man was maintaining logic, so Jon went on, “but doesn’t the army give you a fairly rigorous microcosm to work out certain problems of…well, honour and morality, at least for yourself—”
“Sure,” drawled the officer, “a microcosm totally safe, completely unreal, free of women and children, where God is the general and the Devil is death, and you’re playing for keeps—the excuse for conducting everything with high seriousness. It was all set up to make the most destructive and illogical human actions appear as controlled and non-random as possible.

They could all know now if they wanted, but they are too embarrassed. Rolth, for three thousand years everyone has tried to find a word to differentiate men from other animals; some of the ancients called him the laughing animal, some the moral animal. Well, I wonder if he isn’t the embarrassed animal.

He sat cross-legged in the crumpled, body-warmed bedding, now, and looked at her beside him until his eyes ached with keeping his lids up, looking not to miss the beauty of her breathing, the faint flare of her nostrils, the rise of her chest, the movement of her skin a millimetre back and forth across her collarbone as she breathed. His eyes, flooded with her gloriousness, filled with tears. He had to blink and look away.

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They did not realize that reality must prove itself again and again to questioners, and that it is the fantasy which goes on without contradiction, without having to prove itself under logical rigour. The idea of asking questions was almost impossible; but only almost.