Sarah Ladipo Manyika Quotes

Resist the temptation to write stories you’re expected to write and take inspiration from a wide array of art forms. Use all the tools available to improve your craft. Be innovative, be new! And when a door opens for you, hold it open for others. We all stand on the shoulders of giants and we’re stronger together than on our own.

A book reads us as much as we read a book.

I also never write about characters whose lives I don’t have at least some sense of or a genuine interest in. Having a deep interest in my characters gives me both the confidence and passion to stick with them and write them as best I can.

" The future of Nigeria is no longer in it's army as some of us used to think, but in the oil business.

I love the innovative nature of Olumide Popoola’s writings across literary genres and so I’m very much looking forward to her forthcoming novel, Like Water Like Sea. I am also looking forward to Hala Alyan’s new poetry collection: The Moon That Turns You Back.

I think that every relationship has its complications, and in the case of Tayo and Vanessa, they had to contend with the added family and societal pressures of being an interracial couple at a time of pervasive colonial attitudes. In the 1960s, there was a great deal of societal resistance to interracial relationships, attitudes that arguably still persist to this day whether in the UK, America, or elsewhere. If I’d written a novel without complications, I also suspect that your neighbor’s daughter would have exercised her spirit of independence and found a different book to immerse herself in.

What is done is done and I’ll wait until I get home to see how bad things really are. Consider the birds in the sky, I remind myself. Consider the birds in the sky.

I wonder if I should explain that it’s not that I don’t want to make love, only that after a long day of attending to others I’m craving space.

Oh, there are so many! When I think of feature films, I imagine the intense drama of Nawal El Saadawi’s Woman at Point Zero; the quiet grief, as well as the eroticism of Yewande Omotoso’s An Unusual Grief; the forbidden wartime love story of Chinelo Okparanta’s Under the Udala Trees. Short stories such as Segun Afolabi’s ‘Monday Morning’ would also make for powerful and timely feature length films.

My first thought is that there are, of course, harsher forms of exile. Morayo does at least have a comfortable place to live, food to eat, and access to health care. I also suspect that Morayo, with thoughts of the ethnic and religious strife that had taken place in her home city of Jos, might be quick to say that the internally displaced face the cruelest form of exile.

At the time that I began to write the novel I was simply looking for a really good love story set in my parent’s generation with at least one character from West Africa, and because I couldn’t find such a story, I tried writing it myself. As Toni Morrison says, if there’s a book you want to read but can’t find, then try writing it.

I’d met many older women who had lived colorful lives, and yet when it came to fiction I couldn’t find many stories that mirrored this, especially so when it came to the lives of Black women. Similarly, I couldn’t find many books that explored an older woman’s sexuality. I had many literary examples of older men’s desire, but far less when it came to older women, and so I decided to go there, albeit in a small way.

Thank you, Darlington, and what a touching story! I’d love to meet your neighbor’s daughter. In terms of what inspired the novel, it was simply as Morrison once put it: If there’s a story you’re dying to read and you can’t find it, then write it. I was looking for a great interracial love story set in geographical locations and historical periods that I was particularly interested in—namely West Africa from the 1960s to present day—and because I couldn’t find that story, I attempted to write it.

My main goal is to make progress on my current novel. I’d also like to play more with the new tools of artificial intelligence (AI) and have more conversations with writers about the future of writing in this age of AI, not just about what we might lose but what we might gain too.

There are some in this book, like Michelle Obama, for example, who used the platforms they were given to effect change while others, such as Evan Mawarire, created a movement from the bottom up to speak truth to power. The twelve featured are a tiny subset of many others doing extraordinary things. My hope is that Between Starshine and Clay will inspire more writers to capture such stories and histories.