Jewish writer and playwright of Yiddish, who worked in Russian Empire, Switzerland, Germany and the United States (1859-1916)
Solomon Naumovich Rabinovich (Соломон Наумович Рабинович), better known under his pen name Sholem Aleichem (Yiddish and Hebrew: שלום עליכם, also spelled שאָלעם־אלייכעם in Soviet Yiddish, [ˈʃɔləm aˈlɛjxəm]; Russian and Ukrainian: Шо́лом-Але́йхем) (March 2 [O.S. February 18] 1859 – May 13, 1916), was a Yiddish author and playwright who lived in the Russian Empire and in the United States.
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He would grab his fiddle and with one pass of his bow, just one mind you, the fiddle would begin to speak. What do I mean by “speak”? I mean literally, with words, with a tongue like, excuse the comparison, a living human being. Talking, arguing, singing mournfully in the Jewish fashion with such a wild cry from deep inside, from the very soul.
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We Jews are fond of listening to music and have a good grasp of melody—even our enemies would be the first to admit that—and yet on the other hand, we don’t often get the opportunity to hear it. What do we have to celebrate after all, for us to suddenly break into song and dance? Say what you will, though, we are still connoisseurs, experts in both singing and playing music, and in all manner of other things to boot.
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In one of your letters, you [Grandfather] said to me: “I would advise you not to write any novels, as your taste, your style is something else entirely, and above all, if there are novels to be found in the lives of our people, they are entirely different from those of other nations. One needs a firm grasp of this and must write accordingly.” Your words bore deep into my brain and I began to understand how different a Jewish love story needs to be from all other novels, because Jewish life in general, and the circumstances under which a Jew can love, are in no way similar to how they are for other nations.