A smart machine will first consider which is more worth its while: to perform the given task or, instead, to figure some way out of it. Whichever is easier. And why indeed should it behave otherwise, being truly intelligent? For true intelligence demands choice, internal freedom. And therefore we have the malingerants, fudgerators, and drudge-dodgers, not to mention the special phenomenon of simulimbecility or mimicretinism. A mimicretin is a computer that plays stupid in order, once and for all, to be left in peace. And I found out what dissimulators are: they simply pretend that they're not pretending to be defective. Or perhaps it's the other way around. The whole thing is very complicated. A probot is a robot on probation, while a servo is one still serving time. A robotch may or may not be a sabot. One vial, and my head is splitting with information and nomenclature. A confuter, for instance, is not a confounding machine — that's a confutator — but a machine which quotes Confucius. A grammus is an antiquated frammus, a gidget — a cross between a gadget and a widget, usually flighty. A bananalog is an analog banana plug. Contraputers are loners, individualists, unable to work with others; the friction these types used to produce on the grid team led to high revoltage, electrical discharges, even fires. Some get completely out of hand — the dynamoks, the locomoters, the cyberserkers.

Futurologists have been multiplying like flies since the day Herman Kahn made Cassandra's profession "scientific," yet somehow not one of them has come out with the clear statement that we have wholly abandoned ourselves to the mercy of technological progress. The roles are now reversed: humanity becomes, for technology, a means, an instrument for achieving a goal unknown and unknowable.

Not far from here, by a white sun, behind a green star, lived the Steelypips, illustrious, industrious, and they hadn't a care: no spats in their vats, no rules, no schools, no gloom, no evil influence of the moon, no trouble from matter or antimatter - for they had a machine, a dream of a machine, with springs and gears and perfect in every respect.

I spent the afternoon in a bookstore. There were no books in it. None had been printed for nearly half a century. And how I have looked forward to them, after the micro films that made up the library of the Prometheus! No such luck. No longer was it possible to browse among shelves, to weigh volumes in hand, to feel their heft, the promise of ponderous reading. The bookstore resembled, instead, an electronic laboratory. The books were crystals with recorded contents. They can be read the aid of an opton, which was similar to a book but had only one page between the covers. At a touch, successive pages of the text appeared on it. But optons were little used, the sales-robot told me. The public preferred lectons - like lectons read out loud, they could be set to any voice, tempo, and modulation.

I shall immerse myself among men. I shall be silent and attentive, an appreciative companion. There will be many acquaintances, friends, women — and perhaps even a wife. For a while, I shall have to make a conscious effort to smile, nod, stand and perform the thousands of little gestures which constitute life on Earth, and then those gestures will become reflexes again. I shall find new interests and occupations; and I shall not give myself completely to them, as I shall never again give myself completely to anything or anybody.

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Physics, my friend, is a narrow path drawn across a gulf that the human imagination cannot grasp. It is a set of answers to certain questions that we put to the world, and the world supplies the answers on the condition that we will not then ask it other questions, questions shouted out by common sense. And common sense? It is that which is understood by an intelligence using senses no different from those of a baboon. Such an intelligence wishes to know the world in terms that apply to its terrestrial, biological niche. But the world — outside that niche, that incubator of sapient apes — has properties that one cannot take in hand, see, sniff, gnaw, listen to, and in this way appropriate.

As more and more norms disappear from social praxis, literature faces ever-growing difficulties. Its predicament is beginning to resemble that of a child who has discovered that his incredibly understanding parents will let him break with impunity all his toys, indeed everything in the house. The artist cannot create specific prohibitions for himself in order to attack them later in his work; the prohibitions must be real, and hence independent of the writer's choices. And since the relativization of cultural norms has not so far been able to disturb the given characteristics of human biology, that is where writers today seek the still perceptible points of resistance — which is why literature is preoccupied with the theme of sex.