Top 15 Stefan Zweig Quotes

No one would ever believe how hard it is to be really alone in a city of millions when you don't have money.

The only respect in which man is superior to animals is that he can die when he wants to, not just when he has to. Maybe it's the one freedom you can always count on — the freedom to throw your life away.

I don't have a trace of moral scruple, when it comes to the state I feel completely free. It's committed such terrible crimes against us all, against our generation, that we have a right to anything. I'm not worried about doing it damage, we'll just be recovering some damages for our entire battered generation. Who taught me how to steal, who made me do it, if not the state? Commandeering, that's the word they used during the war, or expropriating — Versailles called it reclamation. Who taught us how to cheat if not the state — how else would we know what money saved up by three generations could become worthless in a mere two weeks, that families could be swindled out of pastures, houses, and fields that had been theirs for a hundred years? Even if I kill someone, who trained me to do it? Six months on the drill field and then years at the front! We have an excellent case against the state, by God, we'll win in every court. It can never pay off its terrible debt, never give back what it took from us. Once there might have been a reason to have some qualms, back when the state was a good custodian, thrifty, decent, proper. Now that it's behaved like a hoodlum, we have the right to be hoodlums too.

Something indefinite is always worse than something definite, a strong fear that doesn't last very long is easier than one that's nebulous but doesn't go away.

The vast power of money, mighty when you have it and even mightier when you don't, with its divine gift of freedom and the demonic fury it unleashes on those forced to do without it — they felt this as never before and were filled with bitter rage when, in the dark of the early morning, they saw the brightly lit windows and knew that those glowing gold curtains gave shelter and freedom to hundreds of thousands of people, men with women they desired, while they themselves were homeless, plodding blindly through the streets, through the rain; it was cruel as only the sea could be cruel — the sea in which a person can die of thirst.

Nothing makes you madder than wanting to defend yourself against something you can't even get hold of, something the human race is doing to you, but still there's nobody you can grab by the throat.

You're going to tell me that poverty's nothing to be ashamed of. It's not true, though. If you can't hide it, then it is something to be ashamed of. There's nothing you can do, you're ashamed just the same, the way you're ashamed when you leave a spot on somebody's table. No matter if it's deserved or not, honorable or not, poverty stinks. Yes, stinks, stinks like a ground-floor room off an airshaft, or clothes that need changing. You smell it yourself, as though you were made of sewage. It can't be wiped away. It doesn't help to put on a new hat, any more than rinsing your mouth helps when you're belching your guts out. It's around you and on you and everyone who brushes up against you or looks at you knows it. I know the way women look down on you when you're down at heels. I know it's embarrassing for other people, but the hell with that, it's a lot more embarrassing when it's you. You can't get out of it, you can't get past it, the best thing to do is get plastered, and here" (he reached for his glass and drained it in a deliberately uncouth gulp) "here's the great social problem, here's why the 'lower classes' indulge in alcohol so much more - that problem that countesses and matrons in women's groups rack their brains over at tea. For those few minutes, those few hours, you forget you're an affront to other and to yourself. It's no great distinction to be seen in the company of someone dressed lie this, I know, but it's no fun for me either.

There's an inherent limit to the stress that any material can bear. Water has its boiling point, metals their melting points. The elements of the spirit behave the same way. Happiness can reach a pitch so great that any further happiness can't be felt. Pain, despair, humiliation, disgust, and fear are no different. Once the vessel is full, the world can't add to it.

Ever since the war he's had a low opinion of people and of nations, they're selfish, all of them, without the imagination to see the injustices they're perpetrating. The idealism of his youth, a belief in the moral mission of mankind and the enlightened spirit of the white race that he took from the lectures of John Stuart Mill and his followers, was buried once and for all in the bloody mire of Ypres and the chalk quarry at Soissons where his son met his death. Politics disgusts him, the cool conviviality of the club and the showy self-congratulation of the public banquet repel him; since the death of his son he's avoided making new acquaintances. His own generation's sour unwillingness to recognize the truth and its inability to adapt to the postwar era anger him, as does the younger generation's smart-alecky thoughtlessness. But with this girl he's regained belief, a vague devout gratitude for the mere existence of youth; in her presence he sees that one generation's painfully acquired mistrust of life is fortunately neither understood nor credited by the next, and that each new wave of youth is a new beginning.

Fear is a distorting mirror in which anything can appear as a caricature of itself, stretched to terrible proportions; once inflamed, the imagination pursues the craziest and most unlikely possibilities. What is most absurd suddenly seems the most probable.

Memory is so corrupt that you remember only what you want to; if you want to forget about something, slowly but surely you do.

There is nothing more vindictive, nothing more underhanded, than a little world that would like to be a big one.

The subject of a rumor is always the last to hear it.

Malice is always lucky.

Hairdressers are professional gossips; when only the hands are busy, the tongue is seldom still.