Animals have this in common with one another: unlike humans they appear to spend every minute of every hour of every day of their lives being themselves. A tree frog (so far as we can ascertain) doesn't wake up in the morning feeling guilty that it was a bad tree frog the night before, nor does it spend any time wishing it were a wallaby or a crane fly. It just gets on with the business of being a tree frog, a job it does supremely well. We humans, well . . . we are never content, always guilty, and rarely that good at being what nature asked us to be — Homo sapiens.
British comedian, actor, writer, presenter, and activist
Sir Stephen John Fry (born 24 August 1957) is an English actor, broadcaster, comedian, director, narrator and writer. He first came to prominence as one half of the comic double act Fry and Laurie, alongside Hugh Laurie, with the two starring in A Bit of Fry & Laurie (1989–1995) and Jeeves and Wooster (1990–1993). He also starred in the sketch series Alfresco (1983–1984) alongside Laurie, Emma Thompson, and Robbie Coltrane and in Blackadder (1986–1989) alongside Rowan Atkinson. Since 2011 he has served as president of the mental health charity Mind. In 2025, he was knighted for services to mental health awareness, the environment and charity.
Fry's film acting roles include playing his idol Oscar Wilde in the film Wilde (1997), for which he was nominated for the Golden Globe Award for Best Actor; Inspector Thompson in Robert Altman's murder mystery Gosford Park (2001); and Mr. Johnson in Whit Stillman's Love & Friendship (2016). He has also had roles in the films Chariots of Fire (1981), A Fish Called Wanda (1988), The Life and Death of Peter Sellers (2004), V for Vendetta (2005), and Sherlock Holmes: A Game of Shadows (2011). He portrays the Cheshire Cat in Alice in Wonderland (2010) and its 2016 sequel, and the Master of Lake-town in the film series adaptation of The Hobbit. Between 2001 and 2017, he hosted the British Academy Film Awards 12 times.
Fry's television roles include Lord Melchett in the BBC television comedy series Blackadder, the title character in the television series Kingdom, as well as recurring guest roles as Dr. Gordon Wyatt on the American crime series Bones and Arthur Garrison MP on the Channel 4 period drama It's a Sin. He has also written and presented several documentary series, including the Emmy Award-winning Stephen Fry: The Secret Life of the Manic Depressive, which saw him explore his bipolar disorder, and the travel series Stephen Fry in America. He was the longtime host of the BBC television quiz show QI, with his tenure lasting from 2003 to 2016, during which he was nominated for six British Academy Television Awards. He appears frequently on other panel games, such as the radio programmes Just a Minute and I'm Sorry I Haven't a Clue. In 2006, the British public ranked Fry number 9 in ITV's poll of TV's 50 Greatest Stars.
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Abuse is exploitation of trust and exploitation of authority and I was lucky enough never to suffer from that or from any violation or cruelty, real or imagined.
It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue.
Sticks and stones may break my bones, but words will always hurt me.
Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.
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Well I don’t know about you, but when I recall childhood pain, I don’t recall the pains of toothache, a thrashed backside, broken bones, stubbed toes, gashed knees or twisted ankles – I recall the pains of loneliness, boredom, abandonment, humiliation, rejection and fear. Those are the pains on which I might and, still sometimes do, dwell, and those pains, almost without exception, were inflicted on me by other children and by myself.
There are a series of men and women whose whole job is to stop you from having people filmed in cars not wearing seat belts or making phone calls. It’s called compliance. Compliance with what?! Compliance with being an arsehole?! Compliance with stupidity?! Compliance with making this country a shithole!? I cannot believe that anybody would allow this to happen. I cannot believe they wouldn’t just say no, I’m gonna film it the way it should be. What is the point of having cars and backgrounds and extras, what’s the point of trying to make it realistic, why not just do it against cardboard? If you're not allowed to do it as it really would be done –because what? Because you’re setting a bad example? Well what kind of example are you setting by betraying your country, or shooting people in the face? I don’t know where to begin, and I don’t know where to end. I want to take the people who are responsible for this and I want to squeeze the life out of them! I never want them to get up again. I want them to understand how insane they are. And I have a horrible feeling that they’re shaking their head and saying something about how it’s wrong to set a bad example to children or something, whereas shooting people in the face (how many times do I have to say this?) apparently isn’t setting a bad example to children –oh my god! I want to explode with fury! And the awful thing is they win! The directors and the producers of the programme comply! Ugh, why don’t they just tell them to fuck off?!
I am magnificently prepared for the long littleness of life. There is diddley-squat for me to look forward to. Zilch, zero, zip-all, sweet lipperty-pipperty nothing. The only thought that will give me the energy to carry on is that someone has a life which would be diminished by my departure from it.
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I should say today that it's tragic that people lose faith in what was once an honourable profession but people will lose faith in journalists. There's nothing one can do about it. People no longer trust journalists - we'll have to turn to politics instead for our belief in people. I almost mean that. Although, of course, anybody can talk about snouts in troughs and go on about it, for journalists to do so is almost beyond belief. Beyond belief. I know lots of journalists - I know more journalists than I know politicians - and I've never met a more venal and disgusting crowd of people when it comes to expenses and allowances...Not all [of them] but then not all human beings are either. I've cheated expenses. I've fiddled things. You have, of course you have. Let's not confuse what politicians get really wrong - things like wars, things where people die - with the rather tedious bourgeois obsession with whether or not they've charged for their wisteria. It's not that important, it really isn't. It isn't what we're fighting for. It isn't what voting is for and the idea that 'Oh, we've all lost faith in politics' [is] nonsense. It's a journalistic made-up frenzy. I know you don't want me to say that. You want me to say "No, it matters, it's important." It isn't it. Believe me, it isn't. It's not the big deal; it's not what we should be worrying about. I know no one's going to pay any attention and newspapers will great joy over filling yards and yards of newsprint with tiny, pointless details of this politician's or that politician's squalid and sad little life as they see it. It's not the big picture, it really isn't. You know, we get the politicians we deserve, it's our fault as much as anybody else's. This has been going on for years and suddenly because a journalist discovers it it's the biggest story ever! It's absolute nonsense, it really is.
Painters, poets and philosophers have seen many things in the myth of Sisyphus. They have seen an image of the absurdity of human life, the futility of effort, the remorseless cruelty of fate, the unconquerable power of gravity. But they have seen too something of mankind’s courage, resilience, fortitude, endurance and self-belief. They see something heroic in our refusal to submit.