British comedian, actor, writer, presenter, and activist
Sir Stephen John Fry (born 24 August 1957) is an English actor, broadcaster, comedian, director, narrator and writer. He first came to prominence as one half of the comic double act Fry and Laurie, alongside Hugh Laurie, with the two starring in A Bit of Fry & Laurie (1989–1995) and Jeeves and Wooster (1990–1993). He also starred in the sketch series Alfresco (1983–1984) alongside Laurie, Emma Thompson, and Robbie Coltrane and in Blackadder (1986–1989) alongside Rowan Atkinson. Since 2011 he has served as president of the mental health charity Mind. In 2025, he was knighted for services to mental health awareness, the environment and charity.
Fry's film acting roles include playing his idol Oscar Wilde in the film Wilde (1997), for which he was nominated for the Golden Globe Award for Best Actor; Inspector Thompson in Robert Altman's murder mystery Gosford Park (2001); and Mr. Johnson in Whit Stillman's Love & Friendship (2016). He has also had roles in the films Chariots of Fire (1981), A Fish Called Wanda (1988), The Life and Death of Peter Sellers (2004), V for Vendetta (2005), and Sherlock Holmes: A Game of Shadows (2011). He portrays the Cheshire Cat in Alice in Wonderland (2010) and its 2016 sequel, and the Master of Lake-town in the film series adaptation of The Hobbit. Between 2001 and 2017, he hosted the British Academy Film Awards 12 times.
Fry's television roles include Lord Melchett in the BBC television comedy series Blackadder, the title character in the television series Kingdom, as well as recurring guest roles as Dr. Gordon Wyatt on the American crime series Bones and Arthur Garrison MP on the Channel 4 period drama It's a Sin. He has also written and presented several documentary series, including the Emmy Award-winning Stephen Fry: The Secret Life of the Manic Depressive, which saw him explore his bipolar disorder, and the travel series Stephen Fry in America. He was the longtime host of the BBC television quiz show QI, with his tenure lasting from 2003 to 2016, during which he was nominated for six British Academy Television Awards. He appears frequently on other panel games, such as the radio programmes Just a Minute and I'm Sorry I Haven't a Clue. In 2006, the British public ranked Fry number 9 in ITV's poll of TV's 50 Greatest Stars.
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Princess Diana holds in the threshold for a second longer, checks over her shoulder that her Prince is out of earshot and whispers softly in my ear, ‘Sorry to leave early, though secretly I’m quite glad. It’s Spitting Image tonight, and I want to watch it in my room. They hate it of course. I absolutely adore it.
I hope you forgive the unedifying sight of my struggle to express some of the truths of my inner self and to measure the distance between the mask of security, ease, confidence and assurance I wear (so easily that its features often lift into a smirk that looks like complacency and smugness) and the real condition of anxiety, self-doubt, self-disgust and fear in which much of my life then and now is lived.
None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness. It’s not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame and self-loathing – they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.
Abuse is exploitation of trust and exploitation of authority and I was lucky enough never to suffer from that or from any violation or cruelty, real or imagined.
It is a cliché that most clichés are true, but then like most clichés, that cliché is untrue.
Sticks and stones may break my bones, but words will always hurt me.
Bones mend and become actually stronger in the very place they were broken and where they have knitted up; mental wounds can grind and ooze for decades and be re-opened by the quietest whisper.
"His favourite word, one for which I have a great deal of time myself as a matter of fact, was "arse." Everyone was more or less an arse most of the time, but I was arsier than just about everyone else in the school. In fact, in my case he would often go further — I was on many occasions a bumptious arse. Before I learned what bumptious actually meant I assumed that it derived from "bum" and believed therefore with great pride that as a bumptious arse I was doubly arsey — twice the arse of ordinary arses."
"... Our language, tiger, our language: hundreds of thousands of available words, frillions of legitimate new ideas... And yet, oh, and yet, we, all of us, spend all our days saying to each other the same things time after weary time: "I love you," "Don't go in there," "Get out," "You have no right to say that," "Stop it," "Why should I," "That hurt," "Help," "Marjorie is dead.
It can come a bit hard sometimes to see one's own unique, heroic life pinned so pitilessly to a wall. At other times it can endorse, affirm and save, but as I go clowning my sentimental way into eternity, wrestling with all my problems of estrangement and acquiescence, I shuttle between worrying whether I matter at all and whether anything else matters at all but me.
Works in ChatGPT, Claude, or Any AI
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"LSD reveals the whatness of things, their quiddity, their essence. The wateriness of water is suddenly revealed to you, the carpetness of carpets, the woodness of wood, the yellowness of yellow, the fingernailness of fingernails, the allness of all, the nothingness of all, the allness of nothing. For me music gives access to every one of these essences of existence, but at a fraction of the social or financial cost of a drug and without the need to cry "Wow!" all the time, which is one of LSD's most distressing and least endearing side-effects."