In railway halls, on pavements near the traffic, They beg, their eyes made big by empty staring And only measuring Time, like the blank clock. <p> No, I shall weave no tracery of pen-ornament To make them birds upon my singing tree: Time merely drives these lives which do not live As tides push rotten stuff along the shore.

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Near the snow, near the sun, in the highest fields, See how these names are fêted in the waving grass And by the streamers of the white cloud And whispers of the wind in the listening sky. The names of those who in their lives fought for life, Who wore at their hearts the fire's centre. Born of the sun, they travelled a short while toward the sun And left the vivid air signed with their honour.

I am for neither West nor East, but for myself considered as a self — one of the millions who inhabit the earth... If it seems absurd that an individual should set up as a judge between these vast powers, armed with their superhuman instruments of destruction I can reply that the very immensity of the means to destroy proves that judging and being judged does not lie in these forces. For supposing that they achieved their utmost and destroyed our civilization, whoever survived would judge them by a few statements. a few poems, a few témoignages [testimonies] surviving from all the ruins, a few words of those men who saw outside and beyond the means which were used and all the arguments which were marshaled in the service of those means. Thus I could not escape from myself into some social situation of which my existence was a mere product, and my witnessing a willfully distorting instrument. I had to be myself, choose and not be chosen... But to believe that my individual freedom could gain strength from my seeking to identify myself with the "progressive" forces was different from believing that my life must be an instrument of means decided on by political leaders. I came to see that within the struggle for a juster world, there is a further struggle between the individual who cares for long-term values and those who are willing to use any and every means to gain immediate political ends — even good ends. Within even a good social cause, there is a duty to fight for the pre-eminence of individual conscience. The public is necessary, but the private must not be abolished by it; and the individual must not be swallowed up by the concept of the social man.

Unless, governor, teacher, inspector, visitor, This map becomes their window and these windows That shut upon their lives like catacombs, Break O break open 'till they break the town And show the children green fields and make their world Run azure on gold sands and let their tongues Run naked into books, the white and green leaves open History is theirs whose language is the sun.

The laurelled exiles, kneeling to kiss these sands. Number there freedom's friends. One who Within the element of endless summer, Like leaf in amber, petrified by light, Studied the root of action. One in a garret Read books as though he broke up flints.

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Here where I lie is the hot pit Crowding on the mind with coal And the will turned against it Only drills new seams of darkness Through the dark-surrounding whole. Our vivid suns of happiness Withered from summer, drop their flowers; Hands of the longed, withheld tomorrow Fold on the hands of yesterday In double sorrow.

The greatest of all human delusions is that there is a tangible goal, and not just direction towards an ideal aim. The idea that a goal can be attained perpetually frustrates human beings, who are disappointed at never getting there, never being able to stop.

A poet can only write about what is true to his own experience, not about what he would like to be true to his experience. Poetry does not state truth, it states the conditions within which something felt is true. Even while he is writing about the little portion of reality which is part of his experience, the poet may be conscious of a different reality outside. His problem is to relate the small truth to the sense of a wider, perhaps theoretically known, truth outside his experience.

There was a wood, Habitation of foxes and fleshy burrows, Where I learnt to uncast my childhood, and not alone, I learnt, not alone. There were four hands, four eyes, A third mouth of the dark to kiss. Two people And a third not either: and both double, yet different. I entered with myself. I left with a woman.