Still, modern western attitudes towards Plotinus have not been shaped by the widespread acknowledgment of the extraordinary similarity of his teachings to doctrines taught in India in his day; but by the role he unwittingly played after his death as a formative influence on Christian theology. Translations of his work may have a churchy kind of ring. The view of Plotinus as a kind of proto-Christian may express, at least in part, a dread of finding possible Indian origins for the texts whose influence was to contribute to shaping the thought of Thomas Aquinas, Nicholas of Cusa, Meister Eckhardt, and many later western thinkers. So it is not only that "to admit 'oriental influences' on [Plotinus] was tantamount to besmirching his good name," but even more it would also besmirch that whole aspect of the western tradition that flowed from him. If Plotinus had passed massive Asian influence into the western tradition, there would be little point to calling it western anymore.
American writer and scholar (1939–2013)
Thomas McEvilley (/məkˈɛvɪli/; July 13, 1939 – March 2, 2013) was an American art critic, poet, novelist, and scholar. He was a Distinguished Lecturer in Art History at Rice University and founder and former chair of the Department of Art Criticism and Writing at the School of Visual Arts in New York City.
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Still, it would be an equally egregious mistake to conclude that India lacks a distinctive and world-important character of its own. Nothing, it seems, comes out of nothing, and no culture is born by parthenogenesis. Ancient Greek culture has had at least as much input from the same sources without being denied its own “miraculous” selfhood.
Thomas McEvilley has explained the likely Indian origins of some aspects of Greek thought. For instance, he says the Western intellectuals' cover-up of the likely Indian origins of Plotinus protects Western identity and historicity: 'Translations of his work may have a churchy kind of ring. The view of Plotinus as a kind of proto-Christian theologian may express, at least in part, a dread of finding possible Indian origins for the texts whose influence was to contribute to shaping the thought of Thomas Aquinas, Nicolas of Cusa, Meister Eckhart, and many later Western thinkers. So it is not only that "to admit oriental influences on [Plotinus] was tantamount to besmirching his good name," but even more, it would also besmirch that whole aspect of the Western tradition that flowed from him. If Plotinus had passed massive Asian influence into the Western tradition, there would be little point to calling it Western tradition' .
Von Soden observes that “since the discovery of the Indus civilization … it has been almost universally accepted that the Sumerians immigrated from the east.” The immigrants are regarded as having arrived in lower Mesopotamia either at the beginning of the Ubaid period (c. 5000 B.C.) or at the beginning of the Uruk period (perhaps c. 3500 B.C., but perhaps as late as 3250). In either case, the Sumerians seem to have fitted easily into an advanced Chalcolithic culture where writing was already in the early stages of development. Therefore, the implication is that they must have been from another advanced culture, and that points to the East. Bottero agrees that “the Sumerians must have arrived in Mesopotamia during the fourth millennium, apparently from the southeast.” Von Soden further observes that “this immigration could have succeeded entirely by land if the Sumerians immigrated from somewhere in northern India,” and refers suggestively to “the westward migration of the Sumerian groups, whose language may have been related to the Dravidian languages of India.”