Thomas Pynchon Quotes

Our product is still totally DeepArcher?”
“Which is…”
“Like ‘departure’, only you pronounce it DeepArcher?”
“Zen thing,” Maxine guesses.
“Weed thing.

Does Britannia, when she sleeps, dream? Is America her dream? — in which all that cannot pass in the metropolitan Wakefulness is allow'd Expression away in the restless Slumber of these Provinces, and on West-ward, wherever 'tis not yet mapp'd, nor written down, nor ever, by the majority of Mankind, seen, — serving as a very Rubbish-Tip for subjunctive Hopes, for all that may yet be true, — Earthly Paradise, Fountain of Youth, Realms of Prester John, Christ's Kingdom, ever behind the sunset, safe til the next Territory to the West be seen and recorded, measur'd and tied in, back into the Net-Work of Points already known, that slowly triangulates its Way into the Continent, changing all from subjunctive to declarative, reducing Possibilities to Simplicities that serve the ends of Governments, — winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair.

M-maybe there is a Machine to take us away, take us completely, suck us through the electrodes out of the skull 'n' into the Machine and live there forever with all the other souls it's got stored there. It could decide who it would suck out, a-and when. Dope never gave you immortality. You hadda come back, every time, into a dying hunk of smelly meat! But We can live forever, in a clean, honest, purified, Electroworld —

I went to the zoo once and saw this thing they call an anteater. That was quite enough for me.

Rachel was looking into the mirror at an angle of 45°, and so had a view of the face turned toward the room and the face on the other side, reflected in the mirror; here were time and reverse-time, co-existing, cancelling one another exactly out. Were there many such reference points, scattered throughout the world, perhaps only at nodes like this room which housed a transient population of the imperfect, the dissatisfied; did real time plus virtual or mirror-time equal zero and thus serve some half-understood moral purpose? Or was it only the mirror world that counted; only a promise of a kind that the inward bow of a nose-bridge or a promontory of extra cartilage at the chin meant a reversal of ill fortune such that the world of the altered would thenceforth run on mirror-time; work and love by mirror-light and be only, till death stopped the heart's ticking (metronome's music) quietly as light ceases to vibrate, an imp's dance under the century's own chandeliers....

In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world.

"Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity — most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . ."

[...] times of great idealism carry equal chances for great corruptibility.

They have had their moment of freedom. Webley has only been a guest star. Now it’s back to the cages and the rationalized forms of death — death in the service of the one species cursed with the knowledge that it will die…. “I would set you free, if I knew how. But it isn’t free out here. All the animals, the plants, the minerals, even other kinds of men, are being broken and reassembled every day, to preserve an elite few, who are the loudest to theorize on freedom, but the least free of all. I can’t even give you hope that it will be different someday — that They’ll come out, and forget death, and lose Their technology’s elaborate terror, and stop using every form of life without mercy to keep what haunts men down to a tolerable level — and be like you instead, simply here, simply alive…..” The guest star retires down the corridors.

Later they went outside, where a light rain was blowing in, mixed with salt spray feathering off the surf. Shasta wandered slowly down to the beach and through the wet sand, her nape in a curve she had learned, from times when back-turning came into it, the charm of. Doc followed the prints of her bare feet already collapsing into rain and shadow, as if in a fool's attempt to find his way back into a past that despite them both had gone on into the future it did. The surf, only now and then visible, was hammering at his spirit, knocking things loose, some to fall into the dark and be lost forever, some to edge into the fitful light of his attention whether he wanted to see them or not.

What is most appealing about young folks, after all, is the changes, not the still photograph of finished character but the movie, the soul in flux.

Out at the horizon, out near the burnished edge of the world, who are these visitors standing... these robed figures — perhaps, at this distance, hundreds of miles tall — their faces, serene, unattached, like the Buddha's, bending over the sea, impassive, indeed, as the Angel that stood over Lübeck during the Palm Sunday raid, come that day neither to destroy nor to protect, but to bear witness to a game of seduction... What have the watchmen of the world's edge come tonight to look for? Deepening on now, monumental beings stoical, on toward slag, toward ash the colour the night will stabilize at, tonight... what is there grandiose enough to witness?

Lovely morning, World War Two.

Non-Masons stay pretty much in the dark about What Goes On, though now and then something jumps out, exposes itself, jumps giggling back again, leaving you with few details but a lot of Awful Suspicions.

The magic in these Masonic rituals is very, very old. And way back in those days, it worked. As time went on, and it started being used for spectacle, to consolidate what were only secular appearances of power, it began to lose its zip. But the words, moves, and machinery have been more or less faithfully carried down over the millennia, through the grim rationalizing of the World, and so the magic is still there, though latent, needing only to touch the right sensitive head to reassert itself.