Except in the areas of civil rights and medical marijuana, the legacy of the sixties counterculture has been largely superficial. Still, though the light has dimmed and gone underground, something in me would like to think the sixties phenomenon was a dress rehearsal for a grander, wider leap in consciousness yet to come. However, since Seafood Kabob is likely to win the Belmont Stakes before a psychic jailbreak of that magnitude materializes, my strategy is to try to live as if that day were already here.
American writer (1932–2025)
Thomas Eugene Robbins (July 22, 1932 – February 9, 2025) was an American novelist. His novels are complex, often wild stories with strong social undercurrents and obscure but well-researched details.
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Birth Name:
Thomas Eugene Robbins
Alternative Names:
Thomas E. Robbins
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How can one person be more real than any other? Well some people do hide and others seek. Maybe those who are hiding — escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the Pan pipe hootchy-kootch of experience — maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who are afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jackleg humanist who says differently is due to have his tongue fried on the hot slabs of liars hell. Some folks hide and some folks seek,and seeking when its mindless, neurotic, desperate, or pusillanimous, can be a form of hiding. But there are folks who want to know and aren't afraid to look, and won't turn tail should they find it — and if they never do, they'll have a good time anyway, because nothing, neither the terrible truth, nor the absence of it, is going to cheat them out of one honest breath of earth's sweet gas.
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Christians, and some Jews, claim we're in the "end times," but they've been saying this off and on for more than two thousand years. According to Hindu cosmology, we're in the Kali Yuga, a dark period when the cow of history is balanced precariously on one leg, soon to topple. Then there are our new-age friends who believe that this December we're in for a global cage-rattling which, once the dust has settled, will usher in a great spiritual awakening. Most of this apocalyptic noise appears to be just wishful thinking on the part of people who find life too messy and uncertain for comfort, let alone for serenity and mirth. The truth, from my perspective, is that the world, indeed, is ending – and is also being reborn. It's been doing that all day, every day, forever. Each time we exhale, the world ends; when we inhale, there can be, if we allow it, rebirth and spiritual renewal. It all transpires inside of us. In our consciousness, in our hearts. All the time. Otherwise, ours is an old, old story with an interesting new wrinkle. Throughout most of our history, nothing – not flood, famine, plague, or new weapons – has endangered humanity one-tenth as much as the narcissistic ego, with its self-aggrandizing presumptions and its hell-hound spawn of fear and greed. The new wrinkle is that escalating advances in technology are nourishing the narcissistic ego the way chicken manure nourishes a rose bush, while exploding worldwide population is allowing its effects to multiply geometrically. Here's an idea: let's get over ourselves, buy a cherry pie, and go fall in love with life.
Your friend insults the homeless by giving them no credit for having made the decisions that shaped their lives, and demeans them further by declaring them powerless to alter their situations. There’re many ways, my dear, to victimize people. The most insidious way is to persuade them that they’re victims.
All animals copulate but only humans osculate. Parakeets rub beaks? Sure they do, but only little old ladies who murder schoolchildren with knitting needles to steal their lunch money so that they can buy fresh kidneys to feed overweight kitty cats would place bird billing in the realm of the true kiss.
Usually, my witticisms are composed on the spot. They're simply intrinsic; an inseparable, integral, organic part of my writing process — doubtlessly because humor is an inseparable, integral part of my philosophical worldview. The comic sensibility is vastly, almost tragically, underrated by Western intellectuals. Humor can be a doorway into the deepest reality, and wit and playfulness are a desperately serious transcendence of evil. My comic sense, although deliberately Americanized, is, in its intent, much closer related to the crazy wisdom of Zen monks and the goofy genius of Taoist masters than it is to, say, the satirical gibes on Saturday Night Live. It has both a literary and a metaphysical function.
Who knows how to make love stay? Tell love you are going to the Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if love stays, it can have half. It will stay. Tell love you want a momento of it and obtain a lock of its hair. Burn the hair in a dime-store incense burner with yin/yang symbols on three sides. Face southwest. Talk fast over the burning hair in a convincingly exotic language. Remove the ashes of the burnt hair and use them to paint a mustache on your face. Find love. Tell it you are someone new. It will stay. Wake love up in the middle of the night. Tell it the world is on fire. Dash to the bedroom window and pee out of it. Casually return to bed and assure love that everything is going to be all right. Fall asleep. Love will be there in the morning.